Tuesday, 20 May 2008

THE BAR KOKHBA REVOLT

Bar Kokhba revolt (132–135) (Hebrew: מרד בר כוכבא‎) against the Roman Empire was a second major rebellion by the Jews of Iudaea and the last of the Jewish-Roman Wars.

Simon bar Kokhba, the commander of the revolt, was acclaimed the Messiah, the king prophesied to restore Israel. The revolt established a Jewish state for over two years, but a massive Roman army finally crushed it. The Romans then barred Jews from Jerusalem.

Jewish Christians hailed Jesus as the Messiah and did not support Bar Kokhba. They were barred from Jerusalem along with the rest of the Jews. The war and its aftermath helped differentiate Christianity as a religion distinct from Judaism.

The revolt is also known as The Second Jewish-Roman War, The Second Jewish Revolt, or The Third Revolt (counting the Kitos War, 115 - 117, as second).

Background

After the failed Great Jewish Revolt in the year 70, the Roman authorities took measures to suppress the rebellious province. Instead of a procurator, they installed a praetor as a governor and stationed an entire legion, the X Fretensis.

In 130, Emperor Hadrian visited the ruins of Jerusalem. At first sympathetic towards the Jews, Hadrian promised to rebuild the city, but the Jews felt betrayed when they found out that his intentions were to rebuild the Jewish holiest city as a Roman metropolis, and a new temple upon the ruins of the Second Temple, which was to be dedicated to Jupiter.[1]

An additional legion, the VI Ferrata, was stationed in the province to maintain order, and the works commenced in 131 after the governor of Judaea Tineius Rufus performed the foundation ceremony of Aelia Capitolina, the city’s projected new name. "Ploughing up the Temple" was a religious offense that turned many Jews against the Roman authorities. The tensions grew higher when Hadrian abolished circumcision (brit milah), which he, a Hellenist, viewed as mutilation. A Roman coin inscribed Aelia Capitolina was issued in 132.

Because the Great Jewish Revolt had resulted in the destruction of Jerusalem, the Sanhedrin at Yavne provided spiritual guidance for the Jewish nation, both in Judea and throughout the diaspora.

Revolt

The Jewish sage Rabbi Akiva (alternatively Akiba) regarded the chosen commander Simon Bar Kokhba to be the Jewish Messiah, according to the Star Prophecy verse from Numbers 24:17: "There shall come a star out of Jacob" ("Bar Kokhba" means "son of a star" in the Aramaic language).

At the time Jewish Christians were still a minor sect of Judaism, and most historians believe that it was this messianic claim in favor of Bar Kokhba that alienated many of them, who believed that the true messiah was Jesus, and sharply deepened the schism between Jews and Christians.
The Jewish leaders carefully planned the second revolt to avoid numerous mistakes that had plagued the first Great Jewish Revolt sixty years earlier. In 132, a revolt led by Bar Kokhba quickly spread from Modi'in across the country, cutting off the Roman garrison in Jerusalem.

"The Era of the redemption of Israel"

Bar Kokhba's tetradrachm. Obverse: the Temple facade with the rising star. Reverse: A lulav, the text reads: "Year one of the redemption of Israel"

A sovereign Jewish state was restored for two and a half years that followed. The functional public administration was headed by Simon Bar Kokhba, who took the title Nasi Israel (ruler or prince of Israel). The "Era of the redemption of Israel" was announced, contracts were signed and coins were minted in large quantity in silver and copper with corresponding inscriptions (all were overstruck over foreign coins).

Rabbi Akiva presided over the Sanhedrin. The religious rituals were observed and the korbanot (i.e., sacrifices) were resumed on the Altar. It has been believed that attempts were made to restore the Temple in Jerusalem, but the evidence—letters written in Jerusalem and dated to the revolutionary era—has turned out to belong to the revolt of 66–70.

Roman reaction

The outbreak took the Romans by surprise. Hadrian called his general Sextus Julius Severus from Britain, and troops were brought from as far as the Danube. The size of the Roman army amassed against the rebels was much larger than that commanded by Titus sixty years earlier. Roman losses were very heavy. Among its losses it is believed that an entire legion, the XXII Deiotariana was completely wiped out. [2] Roman losses were so heavy that Hadrian's report to the Roman Senate omitted the customary salutation "I and the legions are well" [1].

The struggle lasted for three years before the revolt was brutally crushed in the summer of 135. After losing Jerusalem, Bar Kokhba and the remnants of his army withdrew to the fortress of Betar, which also subsequently came under siege. The Jerusalem Talmud relates that the numbers slain were enormous, that the Romans "went on killing until their horses were submerged in blood to their nostrils" (Taanis 4:5). The Talmud also relates that for seventeen years the Romans didn't allow the Jews to bury their dead in Betar.

Outcome of the war

A cluster of papyrus containing Bar Kokhba's orders found in the Judean desert by modern Israeli archeologist Yigael Yadin.

According to Cassius Dio, 580,000 Jews were killed, 50 fortified towns and 985 villages razed.[3] [4] The Talmud, however, claims a death toll in the millions. The latter figure is unlikely, because there were simply not that many Jews in the region at that time. Cassius Dio claimed that "Many Romans, moreover, perished in this war. Therefore, Hadrian, in writing to the Senate did not employ the opening phrase commonly affected by the emperors: 'If you and your children are in health, it is well; I and the army are in health.'" [1]

Hadrian attempted to root out Judaism, which he saw as the cause of continuous rebellions. He prohibited the Torah law, the Hebrew calendar and executed Judaic scholars. The sacred scroll was ceremoniously burned on the Temple Mount. At the former Temple sanctuary, he installed two statues, one of Jupiter, another of himself. In an attempt to erase any memory of Judea, he wiped the name off the map and replaced it with Syria Palaestina, after the Philistines, the ancient enemies of the Jews; previously similar terms had been used to describe only the (smaller) former Philistine homeland to the west of Judaea. Since then, the land has been referred to as "Palestine," which supplanted earlier terms such as "Iudaea" (Judaea) and the antiquated "Canaan." Similarly, he re-established Jerusalem as the Roman pagan polis of Aelia Capitolina, and Jews were forbidden from entering it.

Long-term consequences and historic importance

Expulsion of the Jews from Jerusalem during the reign of Hadrian. A miniature from the 15th-century manuscript "Histoire des Empereurs".

Constantine I allowed Jews to mourn their defeat and humiliation once a year on Tisha B'Av at the Western Wall. Jews remained scattered for close to two millennia; their numbers in the region fluctuated with time.

Modern historians have come to view the Bar-Kokhba Revolt as being of decisive historic importance. The massive destruction and loss of life occasioned by the revolt has led some scholars to date the beginning of the Jewish diaspora from this date. They note that, unlike the aftermath of the First Jewish-Roman War chronicled by Josephus, the majority of the Jewish population of Judea was either killed, exiled, or sold into slavery after the Bar-Kokhba Revolt, and Jewish religious and political authority was suppressed far more brutally. After the revolt the Jewish religious center shifted to the Babylonian Jewish community and its scholars. Judea would not be a center of Jewish religious, cultural, or political life again until the modern era, though Jews continued to live there and important religious developments still occurred there. In Galilee, the Jerusalem Talmud was compiled in the 2nd–4th centuries. Eventually, Safed became known as a center of Jewish learning, especially Kabbalah in the 15th century.

Historian Shmuel Katz writes that even after the disaster of the revolt: "Jewish life remained active and productive. Banished from Jerusalem, it now centred on Galilee. Refugees returned; Jews who had been sold into slavery were redeemed. In the centuries after Bar Kochba and Hadrian, some of the most significant creations of the Jewish spirit were produced in Palestine. It was there that the Mishnah was completed and the Jerusalem Talmud was compiled, and the bulk of the community farmed the land."


He lists the communities left in Palestine: "43 Jewish communities in Palestine in the sixth century: 12 on the coast, in the Negev, and east of the Jordan, and 31 villages in Galilee and in the Jordan valley". [5]

The disastrous end of the revolt also occasioned major changes in Jewish religious thought. Messianism was abstracted and spiritualized, and rabbinical political thought became deeply cautious and conservative. The Talmud, for instance, refers to Bar-Kokhba as "Ben-Kusiba", a derogatory term used to indicate that he was a false Messiah. The deeply ambivalent rabbinical position regarding Messianism, as expressed most famously in the Rambam's (also known as Maimonides) "Epistle to Yemen", would seem to have its origins in the attempt to deal with the trauma of a failed Messianic uprising.

In the post-rabbinical era, however, the Bar-Kokhba Revolt became a symbol of valiant national resistance. The Zionist youth movement Betar took its name from Bar-Kokhba's traditional last stronghold, and David Ben-Gurion, Israel's first prime minister, took his Hebrew last name from one of Bar-Kokhba's generals.

Further revolts against the Roman Empire

In the year 351, the Jews launched yet another revolt, provoking heavy retribution. [5]

In 438, when the Empress Eudocia removed the ban on Jews' praying at the Temple site, the heads of the Community in Galilee issued a call "to the great and mighty people of the Jews" which began: "Know that the end of the exile of our people has come"! [6] [5]

In the belief of restoration to come, the Jews made an alliance with the Persians who invaded Palestine in 614, fought at their side, overwhelmed the Byzantine garrison in Jerusalem, and for five years governed the city. [5]

Sources

The best recognized sources are Cassius Dio, Roman History (book 69) and Aelius Spartianus, Life of Hadrian (in the Augustan History). The discovery of the Dead Sea scrolls has exposed some new historical data.

References

1-^ a b c Cassius Dio, Roman history 69.14.3
2-^ livius.org account(Legio XXII Deiotariana)
3-^ The 'Five Good Emperors' (roman-empire.net)
4-^ Mosaic or mosaic?—The Genesis of the Israeli Language by Zuckermann, Gilad
5-^ a b c d Katz, Shmuel, Battleground, (1974), page 96
6-^ Avraham Yaari, Igrot Eretz Yisrael (Tel Aviv, 1943), p. 46.

Further reading

Yohannan Aharoni & Michael Avi-Yonah, "The MacMillan Bible Atlas", Revised Edition, pp. 164–65 (1968 & 1977 by Carta Ltd.)

The Documents from the Bar Kokhba Period in the Cave of Letters (Judean Desert studies). Jerusalem: Israel Exploration Society, 1963–2002.

Vol. 2, "Greek Papyri", edited by Naphtali Lewis; "Aramaic and Nabatean Signatures and Subscriptions", edited by Yigael Yadin and Jonas C. Greenfield. (ISBN 9652210099).

Vol. 3, "Hebrew, Aramaic and Nabatean–Aramaic Papyri", edited Yigael Yadin, Jonas C. Greenfield, Ada Yardeni, Baruch A. Levine (ISBN 9652210463).

W. Eck, 'The Bar Kokhba Revolt: the Roman point of view' in the Journal of Roman Studies 89 (1999) 76ff.

Faulkner, Neil. Apocalypse: The Great Jewish Revolt Against Rome. Stroud, Gloucestershire, UK: Tempus Publishing, 2004 (hardcover, ISBN 0-7524-2573-0).

Goodman, Martin. The Ruling Class of Judaea: The Origins of the Jewish Revolt against Rome, A.D. 66–70. Cambridge: Cambridge University Press, 1987 (hardcover, ISBN 0-521-33401-2); 1993 (paperback, ISBN 0-521-44782-8).

Richard Marks: The Image of Bar Kokhba in Traditional Jewish Literature: False Messiah and National Hero: University Park: Pennsylvania State University Press: 1994: ISBN 0-271-00939-X

David Ussishkin: "Archaeological Soundings at Betar, Bar-Kochba's Last Stronghold", in: Tel Aviv. Journal of the Institute of Archaeology of Tel Aviv University 20 (1993) 66ff.

Yadin, Yigael. Bar-Kokhba: The Rediscovery of the Legendary Hero of the Second Jewish Revolt Against Rome. New York: Random House, 1971 (hardcover, ISBN 0394471849); London: Weidenfeld and Nicolson, 1971 (hardcover, ISBN 0297003453).

Mildenberg, Leo. The Coinage of the Bar Kokhba War. Switzerland: Schweizerische Numismatische Gesellschaft, Zurich, 1984 (hardcover, ISBN 3-7941-2634-3).

External links

photographs from Yadin's book Bar Kokhba
The Jewish History Resource Center Project of the Dinur Center for Research in Jewish History, The Hebrew University of Jerusalem
David Pileggi, "The Bar Kochva letters": discovery of the papyri
Archaeologists find tunnels from Jewish revolt against Romans by the AP. Ha'aretz March 14, 2006
Jewish Encyclopedia: Bar Kokba and Bar Kokba War
Bar Kochba with links to all sources

Monday, 19 May 2008

WHEN BLAKE & MORTIMER MET MAHATMA GANDHI

( click on the image to enlarge it)


You can see it all at "The Sarcophagi of the Sixth Continent" Vol. 1 of the Blake & Mortimer Adventures, when the Mahatma saves young Francis Blake and young Philip Mortimer from a menacing mob.
He says to the two youngsters: "I beg yoy to forgive the unqualifiable attitude of your aggressors. Convey that for the majority of indians you are always welcome in our country, as visitors, of course, not as conquerors. In that spirit I wish you an excellent sojourn in India."

MAHATMA GANDHI'S STATUES AND MEMORIALS


Gandhi Smriti (The house Gandhi lodged in the last 4 months of his life has now become a monument, New Delhi)

Statue of Mahatma Gandhi in Tavistock Square Gardens, London.

The centennial commemorative statue of Mahatma Gandhi in the center of downtown Pietermaritzburg, South Africa.

The Martyr's Column at the Gandhi Smriti in New Delhi, marks the spot where he was assassinated.Rajghat in New Delhi, India marks the spot of Gandhi's cremation in 1948

GANDHI - THE FILM

Gandhi (1982) is a biopic film about the life of Mohandas ("Mahatma") Gandhi, who was a leader of the nonviolent resistance movement against British colonial rule in India during the first half of the 20th century. The film was directed by Richard Attenborough and stars Ben Kingsley as Gandhi; both won Academy Awards for their work on the film. The film was also given the Academy Award for Best Picture.

It was an international co-production between production companies in India and the UK. The film premiered in New Delhi on November 30, 1982.


Synopsis

The film opens with a statement from the filmmakers explaining their approach to the problem of filming Gandhi's complex life story:
“No man's life can be encompassed in one telling... least of all Gandhi's, whose passage through life was so entwined with his nation's struggle for freedom. There is no way to give each event its allotted weight, to recount the deeds and sacrifices of all the great men and women to whom he and India owe such immense debts. What can be done is to be faithful in spirit to the record of his journey, and to try to find one's way to the heart of the man...”

The film begins with Gandhi's assassination and funeral on January 30, 1948. After an evening prayer, an elderly Gandhi is helped out for his evening walk to meet a large number of greeters and admirers. One of these visitors shoots him point blank in the chest. Gandhi exclaims, "Oh, God!" ("Hé Ram!" historically), and then falls dead. The film then cuts to a huge procession at his massive funeral, which is attended by dignitaries from around the world.

The early life of Gandhi is neither seen nor mentioned. Instead, the story flashes back to a life-changing event: in 1893, Gandhi is thrown off a South African train for being an Indian and traveling in a first class compartment with royal Britishers. Gandhi realizes that the laws are biased against Indians and decides to start a non-violent protest campaign for the rights of all Indians in South Africa. After numerous arrests and the unwanted attention of the world, the government finally relents by recognizing rights for Indians, though not for the native blacks of South Africa.

After this victory, Gandhi is invited back to India, where he is now considered something of a national hero. He is urged to take up the fight for India's independence from the British Empire. Gandhi agrees, and mounts a non-violent non-cooperation campaign of unprecedented scale, coordinating millions of Indians nationwide. There are some setbacks, such as violence against the protesters and Gandhi's occasional imprisonment.

Nevertheless, the campaign generates great attention, and Britain faces intense public pressure. Too weak from World War II to continue enforcing its will in India, Britain finally grants India's independence. Indians celebrate this victory, but their troubles are far from over. Religious tensions between Hindus and Muslims erupt into nation-wide violence. Gandhi declares a hunger strike, saying he will not eat until the fighting stops.

The fighting does stop eventually, but the country is divided. It is decided that the northwest area of India, and eastern part of India (current day Bangladesh), both places where Muslims are in the majority, will become a new country called Pakistan (West and East Pakistan respectively). It is hoped that by encouraging the Muslims to live in a separate country, violence will abate. Gandhi is opposed to the idea, and is even willing to allow Muhammad Ali Jinnah to become the first prime minister of India, but the Partition of India is carried out nevertheless.

Gandhi spends his last days trying to bring about peace between both nations. He thereby angers many dissidents on both sides, one of whom finally gets close enough to assassinate him in a scene at the end of the film that mirrors the opening.


Production

Shooting began on November 26, 1980 and ended on May 10, 1981. Approximately 300,000 extras were used in the funeral scene, the most for any film according to Guinness World Records.[1]


Cast

During pre-production, there was much speculation as to who would play the role of Gandhi. The choice was Ben Kingsley who is partly of Indian heritage (his birth name is Krishna Bhanji). Casting director for the film was Dolly Thakore, an Indian theatre actress who later went on to be casting director in several British Indian films.


Ratings

The film is rated PG in the UK for violence, language, and for thematic elements.


Awards


Precursors

This film had been Richard Attenborough's dream project, although two previous attempts at filming had been attempted and failed. In 1952, Gabriel Pascal secured an agreement with the Prime Minister of India (Pandit Nehru) to produce a film of Gandhi's life. However, Pascal died in 1954 before preparations were completed.[citation needed] Later David Lean and Sam Spiegel planned to make a film about Gandhi after completing The Bridge on the River Kwai (1957), reportedly with Alec Guinness as Gandhi. Ultimately, the project was abandoned in favour of Lawrence of Arabia (1962).[citation needed]

Popular culture references

The 1989 "Weird Al" Yankovic movie UHF features a parody movie trailer for Gandhi II, which portrays Gandhi as a character similar to John Shaft.

In The 40 Year-Old Virgin, two characters discuss smoking marijuana when viewing the film. They later regret watching it because the smoking will give them the munchies, whereas Gandhi is starving himself, so they feel guilty eating something.

In State and Main a character is heard asking someone over the phone if they've seen the grosses for Gandhi 2.

The Leftöver Crack song "So You Wanna Be A Cop" samples bits and pieces from the "Not My Obedience" speech in the movie.

Nas mentions the movie in his song "The World Is Yours" off of his critically acclaimed debut album Illmatic.

See also
References

ThE RollinG StoneS - SympathY FoR ThE DeviL

Sympathy For The Devil
(M. Jagger/K. Richards)

Yo!..... Yo!...... Yo!

Woo Good!....

Please allow me to introduce myself
I'm a man of wealth and taste
I've been around for a long, long year
Stole many a man's soul and faith

And I was 'round when Jesus Christ
Had his moment of doubt and pain
Made damn sure that Pilate
Washed his hands and sealed his fate

Pleased to meet you
Hope you guess my name
But what's puzzling you
Is the nature of my game

I stuck around at St. Petersburg
When I saw it was a-time for a change
Killed the czar and his ministers
Anastasia screamed in vain

I rode a tank
Held a general's rank
When the blitzkrieg raged
And the bodies stank

Pleased to meet you
Hope you guess my name, oh yeah
Ah, what's puzzling you
Is the nature of my game, ah yeah

(whoo whoo, whoo whoo)
I watched with glee
While your kings and queens (whoo whoo)
Fought for ten decades (whoo whoo)
For the gods they made (whoo whoo)

I shouted out, (whoo whoo)
"Who killed the Kennedys?" (whoo whoo)
When after all (whoo whoo)
It was you and me (whoo whoo)

Let me please introduce myself (whoo whoo)
I'm a man of wealth and taste (whoo whoo)
And I laid traps for troubadours (whoo whoo)
Who get killed before they reached Bombay (whoo whoo, whoo whoo)

Pleased to meet you (whoo whoo)
Hope you guessed my name, (whoo whoo) oh yeah (whoo whoo)
But what's puzzling you (whoo whoo)
Is the nature of my game(whoo whoo), oh yeah, get down, baby (whoo whoo)
(whoo whoo, whoo whoo)
(whoo whoo)
(whoo whoo)
(whoo whoo) ..........

Pleased to meet you (whoo whoo)
Hope you guessed my name, (whoo whoo) oh yeah (whoo whoo)
But what's confusing you (whoo whoo)
Is just the nature of my game (whoo whoo) um yeah (whoo whoo)

Just as every cop is a criminal (whoo whoo)
And all the sinners saints (whoo whoo)
As heads is tails (whoo whoo)
Just call me Lucifer (whoo whoo)
'Cause I'm in need of some restraint (whoo whoo)

So if you meet me (whoo whoo)
Have some courtesy (whoo whoo)
Have some sympathy, (whoo whoo) and some taste (whoo whoo)
Use all your well-learned politesse (whoo whoo)
Or I'll lay your(whoo whoo) soul to waste,(whoo whoo), um yeah (whoo whoo)

Pleased to meet you (whoo whoo)
Hope you guessed my name, (whoo whoo) um yeah (whoo, whoo)
But what's puzzling you (whoo whoo)
Is the nature of my game, (whoo whoo) um mean it, (whoo whoo) get down
(whoo whoo) (whoo whoo)
(whoo whoo) (whoo whoo)

Woo, who (whoo whoo)
Oh yeah, get on down (whoo whoo)
Oh yeah (whoo whoo)
(whoo whoo, whoo whoo)
(whoo whoo, whoo whoo)........

Oh yeah! (whoo, whoo)
Tell me baby,(whoo whoo) what's my name(whoo whoo)
Tell me honey,(whoo whoo) can ya guess my name (whoo whoo)
Tell me baby, (whoo whoo) what's my name (whoo whoo)
I tell you one time, (whoo whoo) you're to blame (whoo whoo)

Woo Who (whoo whoo)
Woo Who (whoo whoo)
Woo (whoo whoo) alright (whoo whoo)

Oh, who who, oh, who who, (whoo whoo) oh, who who
Oh Yeah (whoo whoo)
Woo, who who (whoo whoo) Woo, who who (whoo whoo)
Ah yeah, a-what's my name (whoo whoo)

Tell me, baby, (whoo whoo) what's my name (whoo whoo)
Tell me, sweetie, (whoo whoo) what's my name (whoo whoo)

Woo, who, who (whoo whoo)
Woo, who, who (whoo whoo)
Woo, who, who (whoo whoo)
Woo, who, who (whoo whoo)
Oh, who, who (whoo whoo)
Woo, who, who (whoo whoo)
Ah, yeah!
Whoo whoo
Woo Who Who
Whoo whoo

THE COMPLETE SITE OF THE MAHATMA GANDHI

WELCOME TO THE COMPLETE SITE ON MAHATMA GANDHI

A Place to learn about Gandhi, his life, work & philosophy.
This comprehensive site is regularly updated & maintained
by non-profit Gandhian Organizations in India &
has a wealth of information & material for researchers,
students, activists & anyone interested in Gandhi.

Topics Include:

Gandhi's Work & Writings Philosophy Photos Timelines
Online Books & CDs Multimedia Biography Video Clips
Articles on and by Gandhi on various subjects Quotations
Nonviolence & Conflict Resolution
Students' Projects and much more...

http://www.mkgandhi.org/

BOMBAY SARVODAYA MANDAL * GANDHI BOOK CENTRE * SARVODAYA ASHRAM, NAGPUR
ADDRESS: 299, Tardeo Road, Nana Chowk, Bombay 400 007. INDIA. Tel. No. +91-22-2387 2061

SHINE A LIGHT


Sunday, 18 May 2008

FLASH OU LE GRAND VOYAGE - BY CHARLES DUCHAUSSOIS


French an Portuguese editions of C.Duchaussois book


The author's "pilgrimage" from France to Katmandu as describes it on his book

I just read this book when I was very young (about the age of 15). It was a time of when the use of drugs had a "romantic" and adventurous look on my generation. For the good and the bad he was one faithfull companion for many years, until he disappeared from my bookshelf.

JONATHAN (by Cosey) - BOOKS COVERS



PETITION TO CHINESE PRESIDENT HU JINTAO (Taken from : Bloggers Unite for Human Rights)

Petition to Chinese President Hu Jintao:

As citizens around the world, we call on you to show restraint and respect for human rights in your response to the protests in Tibet, and to address the concerns of all Tibetans by opening meaningful dialogue with the Dalai Lama. Only dialogue and reform will bring lasting stability. China’s brightest future, and its most positive relationship with the world, lies in harmonious development, dialogue and respect.

After nearly 50 years of Chinese rule, the Tibetans are sending out a global cry for change. But violence is spreading across Tibet and neighboring regions, and the Chinese regime is right now considering a choice between increasing brutality or dialog, that could determine the future of Tibet and China.

China is a sprawling, diverse country with much brutality in its past, so it has good reasons to be concerned about stability - some of Tibet’s rioters killed innocent people. But President Hu must recognize that the greatest danger to Chinese stability and development today comes from hardliners who advocate escalating repression, not from those Tibetans seeking dialog and reform.

We can affect this historic choice. China does care about its international reputation. Its economy is totally dependent on “Made in China” exports that we all buy, and it is keen to make the Olympics in Beijing this summer a celebration of a new China that is a respected world power.
President Hu needs to hear that ‘Brand China’ and the Olympics can succeed only if he makes the right choice. But it will take an avalanche of global people power to get his attention. Click below to join me and sign a petition to President Hu calling for restraint in Tibet and dialogue with the Dalai Lama — and tell absolutely everyone you can right away.

The petition is organized by Avaaz, and they were aiming to reach 1 million signatures to deliver directly to Chinese officials. 1,672,416 have signed–1 million target reached in just 7 days! The petition will grow and be delivered until talks begin… help us get to 2,000,000

References:Prominent Tibetan Figure Held by ChinaTibetan TV reporter and entertainer detained in ChinaHow Open Is the International Internet?Related posts found on this blog:WordPress: Bloggers Unite for Human RightsBloggers Unite for Human Rights
:: :: :: :: :: :: :: :: ::
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SITUATION IN TIBET

China detains Drakar and Gaden Choeling Nuns in Kardze – 17 May 2008
In aftermath of the series of pro-Tibet protests in many parts of Tibet since 10 March 2008, the Chinese government has stepped up unprecedented "Patriotic re-education" campaign in an attempt to counter the growing voices of dissidence in the Tibetan society. The "Patriotic re-education" campaign was originally launched to "stem out" Tibetan nationalism in Tibet's religious institutions. However, in recent years it was conducted in secular Tibetan society such as schools and communities.
China arrests 55 nuns of Pang-ri Nunnery for protesting – 17 May 2008
Over 55 nuns in Kardze protested against the Chinese authorities on 14 May 2008 according to reliable information received by the Tibetan Centre for Human Rights and Democracy (TCHRD).
China arrests 16 monks for defying "patriotic re-education" – 15 May 2008
China arrests 16 monks and 2 lay Tibetans in Markham County according to confirmed information received by the Tibetan Centre for Human Rights and Democracy (TCHRD).

INTERVIEW WITH THE VAMPIRE - QUOTATIONS FROM THE FILM

Armand

I have never seen a vision, nor learned a secret, that would damn or save my soul.

The world changes, we do not; therein lies the irony that finally kills us.

Claudia

Locked together in hatred. I can hate Lestat. But I can't hate you, Louis. Louis, my love, I was mortal until you gave me your immortal kiss. You became my mother, and my father, and so I'm yours forever. But now it's time to end it, Louis. Now it's time to leave him.

One lesson you taught me: never drink from the dead.

I'll put you in your coffin!
Lestat

Do you still want death? Or have you tasted it enough?

I've come to answer your prayers. Life has no meaning anymore, does it? The wine has no taste, food sickens you and there seems no reason for any of it.

Don't be afraid. I'm going to give you the choice I never had.

Your body's dying. Pay no attention, it happens to us all.

All I ever need to find you is to follow the corpses of rats.

Pain is terrible for you. You feel it like no other creature because you are a vampire.

Evil is a point of view. God kills indiscriminately, and so shall we. For no creatures under God are as we are; none so like him as ourselves.

[After dancing with a rotting corpse] There's still life in the old lady yet! Louis! [laughing] Come back! You are what you are! Merciful death, how you love your precious guilt.

Claudia ... you've been a very, very naughty little girl
.
Oh, Louis, Louis. Still whining, Louis. Have you heard enough? I've had to listen to that for centuries!

Louis

Do you have enough [tape] for the story of a life?

I'm flesh and blood, but not human. I haven't been human for two hundred years.

-To Daniel Malloy

You lack the courage of your convictions, sir. Do it.

I saw it as though it was my last, but I could recall no other before it.

Forgive me if I have a lingering respect for life.

Her blood coursed through my veins sweeter than life itself. And as it did, Lestat's words made sense to me. I knew peace only when I killed, and when I heard her heart in that terrible rhythm, I knew again what peace could be.

A little child she was, but also a fierce killer, now capable of the ruthless pursuit of blood with all a child's demanding.

How do we seem to you? Do you find us beautiful, magical? Our white skin, our fierce eyes? "Drink me," you ask me; do you have any idea of the thing you will become?

But the world was a tomb to me, a graveyard of broken statues, and each of those statues resembled her face.

Whatever happened to Lestat I do not know. I go on, night after night. I feed on those who cross my path. But all my passion went with her golden hair. I'm a spirit of preternatural flesh. Detached. Unchangeable. Empty.

Dialogue

Louis: Where are we?
Lestat: Where do you think, my idiot friend? We're in a nice, filthy cemetery. Does this make you happy? Is this fitting, proper enough?
Louis: We belong in Hell.
Lestat: And what if there is no Hell, or they don't want us there? Ever think of that?
Louis: But there was a Hell, and no matter where we moved to, I was in it.

Claudia: You ... fed on me.
Louis: Yes. And he found me with you, and he cut his wrist and fed you from it, and you were a vampire, and have been every night thereafter.
Claudia: You both did it.
Louis: I took your life ... he gave you another one.
Claudia: And here it is, and I hate you both!

Lestat: More melancholy nonsense. I swear, you grow more and more like Louis each day. Soon you'll be eating rats!
Claudia: Rats? When did you eat rats, Louis?
Louis: It was a long, long time ago, before you were born. [playfully slurps] And I don't recommend them.

[Lestat has just given Claudia a doll]
Claudia: Another doll? I have dozen, you realize.
Lestat: I thought you could use one more.
Claudia: Why always on this night?
Lestat: What do you mean?
Claudia: You always give me a doll on the same night of the year.
Lestat: Oh? I didn't realize.
Claudia: Is this my birthday? You dress me like a doll. You make my hair like a doll. Why?
Lestat (trying to change the subject): Some of these, Claudia, are so old ... tattered. You should throw them away.
Claudia: I will, then!
[Claudia begins removing the dolls from her bed, revealing the naked corpse of a woman lying underneath.]
Lestat: Claudia? Claudia? Claudia! What have you done?
Claudia: What you told me to do!
Louis: Leave a corpse here to rot?
Claudia: I wanted her! I wanted to be her!
[Claudia pushes past Louis and exits the room]
Lestat: She's mad!
Louis: Claudia.
Lestat: Pollutes the very house we live in!
Claudia: Do you want me to be a doll forever?!
[Takes out a pair of scissors and holds them to her hair]
Louis: Claudia, don't!
Claudia: Why not? Can't I change, like everybody else?!
[Proceeds to cut off her hair then runs into her bedroom. Seconds later Claudia's screams are heard from within her room. Louis busts in to find Claudia in front of the mirror with a full head of curls]
Claudia: Which one of you did it?! [pushes past Louis and confronts Lestat] Which one of you made me the way I am?!
Lestat: What you are? A vampire gone insane, that pollutes its own bed?
Claudia: And if I cut my hair again!
Lestat: It will grow back again.
Claudia: But it wasn't always so. I had a mother once. And Louis, he had a wife. He was mortal, the same was she. And so was I!
Louis: Claudia!
Claudia: You made us what we are! Didn't you?
Lestat: Stop her, Louis!
Claudia: Did you do it to me?
[Claudia cuts Lestat's cheeks with the scissors. Lestat looks at Claudia stunned]
Claudia: How did you do it?
Lestat: And why should I tell you? It's in my power.
Claudia: Why yours alone? Tell me how it was done!
Lestat: Be glad I made you what you are.
[Lestat jumps out of the chair he had been sitting in and grabs Claudia by the throat]
Lestat: You'd be dead now if I hadn't. Liked that damned corpse. Now get rid of it!
Claudia: You get rid of it!
[She drops the scissors, then storms out]

Lestat: Absinthe. You've given them absinthe.
Claudia: No, laudanum. It killed them, unfortunately, but it keeps the blood warm.
Lestat: Listen, Louis. There's life in these old hands still. Not quite Furioso. Moderato? Cantabile, perhaps.

Claudia: How could it be?
Lestat: Ask the alligator. His blood helped. Then on the diet of the blood of snakes, toads, and all the putrid life of the Mississippi, slowly, Lestat became something like himself again. Claudia ... you've been a very, very naughty little girl.

Louis: Vampires pretending to be humans pretending to be vampires.
Claudia: How avant-garde!

Armand: They had forgotten the first lesson, that we are to be powerful, beautiful, and without regret.
Louis: And you can teach me this?
Armand: Yes.
Louis: To be without regret?
Armand: Yes.
Louis: Then what a pair we could make ... but what if it's a lesson I don't care to learn?
Armand: What do you mean?
Louis: What if all I have is my suffering, my regret?
Armand: Don't you want to lose it?
Louis: Why? So you can have that too? The heart that mourns her; her, that you burnt to a cinder?
Armand: Louis, I swear that I ...
Louis: Ah, but I know you did. I know. You who regrets nothing, you who feels nothing, if that's all I have left to learn, I can do that on my own ... and as much as your invitation may appeal to me, I must regretfully decline.

Lestat: No one could resist me. Not even you, Louis.
Louis: I tried.
Lestat (smiling): And the more you tried, the more I wanted you.

Taglines

Drink from me and live forever

INTERVIEW WITH THE VAMPIRE - THE FILM

Interview with the Vampire: The Vampire Chronicles is a 1994 film, based on the 1976 novel Interview with the Vampire by Anne Rice. The film was directed by Neil Jordan, and stars Tom Cruise, Brad Pitt, Antonio Banderas, and Kirsten Dunst.

Plot

In present time, San Francisco reporter Daniel (Christian Slater), is sitting in a room with a man named Louis (Brad Pitt), who claims to be a vampire. Daniel is unconvinced until Louis turns on the light and instantly appears in front of him, moving extremely fast. Daniel agrees to interview Louis, who recalls his previous life and his turn to darkness.

It is 1791, and Louis is struggling to cope with the loss of his wife and child not caring if he lives or dies. The vampire Lestat (Tom Cruise) attacks him but also offers him a chance to be reborn. Louis decides to take him up on the offer and Lestat proceeds to transform him into a vampire. Lestat begins showing Louis how to live the life of a vampire: sleeping in coffins by day and preying on unsuspecting mortals by night. Louis is not comfortable bringing harm to humans however, and opts for draining the blood of animals instead. Louis continues to defy every attempt that Lestat makes to turn Louis to the vampire lifestyle, having retained his conscience. A fed up Louis finally succumbs and bites his maid and then kills her. He burns down his estate and he and Lestat flee, now homeless.

While wandering the streets of New Orleans, the two continue to terrorize the public with Louis still trying to refuse Lestat's ways. Again Louis gives in to his blood lust and bites a young girl, Claudia (Kirsten Dunst). Lestat arrives at the scene and congratulates him but Louis takes off, disgusted by his actions. However, Lestat later takes him to the girl, who has become ill from the blood loss. With a promise to make her better Lestat transforms her too, as part of his plan to make her his and Louis's daughter to prevent Louis from leaving. Louis reluctantly accepts her but his scorn for Lestat grows.

Claudia, under Lestat, soon turns into a merciless killer, draining everyone around her of their blood, while all the time developing a strong bond with Louis as father and daughter. Thirty years pass and Claudia is left wondering why she is stuck in the body of an eternal child. Lestat explains that she can never grow up due to the effects of the transformation, which she resents him for. She asks Louis how she came to be and Louis takes her to the place where he bit her 30 years before. Outraged, Claudia expresses her hate for him too and walks away, leaving Louis by himself in tears. However, Claudia forgives him for the deed, citing him as "my love, my maker", showing their close bond. She wishes that they leave New Orleans but Louis knows Lestat would never allow them to leave. With that in mind, Claudia tricks Lestat into drinking blood from two dead children. Weakened, she slashes his throat and she and Louis dump his body in a swamp but he later returns, having drained the energy from crocodiles and other swamp life to survive. He attacks the two but Louis sets him on fire and flees to Paris with Claudia, leaving Lestat for dead.

In Paris, Louis and Claudia live in perfect harmony but he is still bothered by the question of how vampires and such an evil came to be. While walking the streets, he is met by a vampire called Armand (Antonio Banderas), who tells him that there are other vampires in Paris and tells him he knows the answers he has been searching for. With that in mind, Louis takes Claudia to see the vampires' show at the Theater. Armand later takes him to their lair and offers him a place by his side while telling him Claudia must leave him. Louis refuses to leave his beloved daughter and turns to leave. Armand warns him that the vampires know about Lestat's murder and that it is forbidden for vampires to kill another vampire. Louis leaves.

Brad Pitt as Louis

Back at his residence he finds that Claudia has brought home a woman, intent on making the woman, named Madeline, her mother, realizing that Louis may leave her to join Armand. Claudia demands that he transform Madeline but Louis is reluctant to do so. He gives her what she wants and tells her they are finally even, having breathed his last breath of mortality still within him by turning Madeline into a vampire. Soon after the Parisian vampires abduct all three of them, imprisoning Louis in a metal coffin meant for all eternity and exposing Claudia and Madeline to sunlight, destroying them. Armand frees Louis, who searches for Claudia and is horrified and grief-stricken to find that the vampires have killed her and Madeline. He later takes revenge upon them all, save for Armand, and burns them alive in their own theater as they sleep. Armand arrives in time to help him escape and once again offers him a place by his side. Louis once again refuses, knowing that Armand did nothing to prevent the vampires from murdering Claudia, and leaves him for good.

Decades pass with Louis exploring the world by himself, alone. He later finds Lestat, still alive but forever traumatized. He asks Louis to rejoin him, like old times, but Louis rejects him and leaves. At this point Louis concludes the interview, which Daniel, the interviewer, cannot accept. He asks Louis to transform him so he can see what is truly like to be like him, but Louis grasps him in a fit of rage and vanishes. Daniel hurriedly runs out of the hotel room into his parked car and drives away, feeling happy with his interview as he plays it through the cassette player. Just then, Lestat attacks him and takes control of the car. He then offers Daniel "the choice [he] never had."

Cast

Tom Cruise ... Lestat de Lioncourt
Brad Pitt ... Louis de Pointe du Lac
Kirsten Dunst ... Claudia
Stephen Rea ... Santiago
Antonio Banderas ... Armand
Christian Slater ... Daniel Malloy
Virginia McCollam ... Whore on Waterfront
John McConnell... Gambler
Mike Seelig ... Pimp
Bellina Logan ... Tavern Girl
Thandie Newton ... Yvette the Creole slave
Indra Ové ... New Orleans Whore
Helen McCrory... Whore #2
Lyla Hay Owen ... Widow St. Clair
Lee E. Scharfstein ... Widow's Lover (as Lee Emery)
Domiziana Giordano ... Madeleine


Differences between the book and the film

Film-F:
Book-B:

F:Louis is grief-stricken over the death of his wife and child.
B:Louis is depressed and blames himself for the death of his brother.

F:After Lestat 'sires' Louis, they sleep in separate coffins.
B:In the novel, Louis and Lestat initially share a coffin.

F:Lestat never appears in Paris after Louis sets him on fire in New Orleans.
B:After Claudia and Madeleine are destroyed, Louis encounters Lestat at the Théâtre des Vampires, where he has testified to Armand that Claudia had tried to kill him.

F:Claudia cuts off her hair in a fit of rage in order to try and change her appearance. It grows back immediately afterwards.
B:Lestat's mother does this in "The Vampire Lestat" after Lestat changes her into a vampire in order to save her from death.

F:When Lestat drinks from the twin boys Claudia has given him as a "gift" (both have been drugged with laudanum, Claudia says she used "brandywine"), he is severely weakened as drinking "dead blood" has negative effects on vampires.
B:It is not the dead blood that weakens Lestat, it is the fact that Claudia has drugged them with absinthe and laudanum.

F:At the end of the film, Daniel the interviewer is attacked in his car by Lestat, who implies that he'll turn him into a vampire.
B:Daniel leaves Louis intending to seek out Lestat in New Orleans. He is turned into a vampire by Armand in The Queen of the Damned.

F:It is implied that Claudia and Louis travel to various countries without finding any other vampires.
B:Louis and Claudia find a race of mindless vampires in Transylvania.

F:After the burning of the Théâtre des Vampires, Louis rejects Armand and travels the world alone.
B:After the burning of the Théâtre des Vampires, Louis and Armand travel the world together, until parting ways in New Orleans.

F:There is no mention whatsoever of any of Lestat's family.
B:Lestat's father is still alive, yet blind and near death.

F:Lestat viciously kills the prostitutes in the hotel room, which in turn upsets Louis, making him wander the streets of New Orleans in a depressed daze, until he comes upon Claudia and feeds on her.
B:Lestat kills the prostitutes in the hotel after Louis feeds on Claudia. Claudia is in an orphan hospital, on the verge of dying from her wounds when this scene takes place.

F:Claudia appears to be around 11 years of age when she's turned into a vampire.
B:Claudia is said to be no older than 5 years old when she's turned into a vampire.

F:The Vampires cry regular tears and do not sweat.
B:The Vampires in the books weep tears of blood and their sweat is also tinged with blood.

F:After Louis burns down his manor, he and Lestat seek refuge in a "filthy cemetery".
B:After Louis burns down Pointe Du Lac Manor, he seeks the help of a beautiful plantation master by the name of Babette. He convinces her to give him and Lestat shelter from the sun. The next night, she attempts to kill Louis, thinking he's from the Devil himself.

Casting

British actor, Julian Sands was considered to play the role of Lestat by Rice herself, but because Sands was not a known name, being only famed for his performance in A Room with a View, he was rejected and the role was given to Tom Cruise. This was initially criticized by Anne Rice, who said that Cruise was "no more my Vampire Lestat than Edward G. Robinson is Rhett Butler" and the casting was "so bizarre, it's almost impossible to imagine how it's going to work." Nevertheless, she was satisfied with Cruise's performance after seeing the completed film, saying that "from the moment he appeared, Tom was Lestat for me" and "That Tom did make Lestat work was something I could not see in a crystal ball," yet Cruise's casting remains controversial[citation needed].

River Phoenix originally was cast for the role of the interviewer before he died.[1] The film was dedicated to him.

Johnny Depp turned down the role of Lestat.[2]

Soundtrack

Interview with the Vampire soundtrack by Elliot Goldenthal was nominee for the Academy Award, but it lost the Oscar to The Lion King (soundtrack by Hans Zimmer)


Trivia

In the Spider-Man novelization, Harry tells Mary Jane that he is reading Interview with the Vampire. Mary Jane replies that she saw the movie and the little kid in it creeped her out. Kirsten Dunst plays Claudia in Interview with the Vampire and Mary Jane Watson in Spider-Man.


References
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