The One About the English Antisemites
This, and much more, in a book that probably needs to be read: Trials of the Diaspora: A History of Anti-Semitism in England
h/t Contentions
Yaacov Lozowick's Ruminations: The One About the English Antisemites
When Hitler made his famous threat to exterminate Europe’s Jews in 1939, many Western political observers did not believe he meant what he said. It was too incredible and without precedent. No political leader before had so bluntly and publicly announced his intention to engage in mass murder. And so the disgust that greeted Hitler was mixed with disbelief. But the leaders of our own time do not have the excuse of incredulity. As much as any historian can, Robert Wistrich has documented the fact that radical anti-Semitism is in earnest, that its geographic and cultural center of gravity has shifted, and that it has again become a factor in world politics. The advocates of this disgusting doctrine have the power from which to make good on their threats.
Originally posted by Yaacov Lozowick's Ruminations
There is a book by David Cesarani,
"Becoming Eichmann, Reviewing the life,
crimes and trial of a desk murderer" which
seems to be very critical of Arendt's approach (I haven't read it yet...it on
my waiting list).
Wasserstein believes she internalized anti-Semitic literature; I would perhaps modify this to say she internalized the purported universalism of Germanic high culture with its disdain for parochialism. A parochialism she identified with, in her own case, her Jewishness, something she felt ashamed of on intellectual grounds, so primitive, this tribal allegiance in the presence of intellects who supposedly transcended tribalism (or at least all tribes except the Teutonic). One can still hear this Arendtian shame about ethnicity these days. So parochial! One can hear the echo of Arendt's fear of being judged as "merely Jewish" in some, not all, of those Jews so eager to dissociate themselves from the parochial concerns of other Jews for Israel. The desire for universalist approval makes them so disdainful of any "ethnic" fellow feeling. After all, to such unfettered spirits, it's so banal.
To my mind, the use of the phrase banality of evil is an almost infallible sign of shallow thinkers attempting to seem intellectually sophisticated. Come on, people: It's a bankrupt phrase, a subprime phrase, a Dr. Phil-level phrase masquerading as a profound contrarianism. Oooh, so daring! Evil comes not only in the form of mustache-twirling Snidely Whiplash types, but in the form of paper pushers who followed evil orders. And when applied—as she originally did to Adolf Eichmann, Hitler's eager executioner, responsible for the logistics of the Final Solution—the phrase was utterly fraudulent.
Adolf Eichmann was, of course, in no way a banal bureaucrat: He just portrayed himself as one while on trial for his life. Eichmann was a vicious and loathsome Jew-hater and -hunter who, among other things, personally intervened after the war was effectively lost, to insist on and ensure the mass murder of the last intact Jewish group in Europe, those of Hungary. So the phrase was wrong in its origin, as applied to Eichmann, and wrong in almost all subsequent cases when applied generally. Wrong and self-contradictory, linguistically, philosophically, and metaphorically. Either one knows what one is doing is evil or one does not. If one knows and does it anyway, one is evil, not some special subcategory of evil. If one doesn't know, one is ignorant, and not evil. But genuine ignorance is rare when evil is going on.
A number of the [...] travelers had also involved themselves with the Sacco and Vanzetti cause - Douglas, for example, had sent money for the defense. But the pleas failed, and the execution of Sacco and Vanzetti was expected to happen while the travelers were in Europe. This act seemed to confirm American barbarism. Roger Baldwin, especially, wondered whether Soviet Russia might have found a higher sort of freedom. (p. 59).Baldwin was the founder of the American Civil Liberties Union, the ACLU. To be fair, in the 1930s he recognized that Stalin was a monster. But that was later.
Pan's Labyrinth director Guillermo Del Toro and novelist Chuck Hogan have written The Strain, the first book in a vampire trilogy. And the good news is, their spin on vampires comes with a noticeable creep factor, despite silliness. Spoilers below.
This book began life as a TV series pitch to FOX, a few years back. Del Toro scoffs at the romanticized image of the vampire that infests modern media, and wants a return to the dark folkloric roots of the creatures. He isn't alone: many of us are sick of these pale and pretty poseurs, brooding about their cursed immortality and chatting up jailbait by the Orange Julius. Oh sure, they can go all scary cat-face, just before they fight cheerleaders, but usually they look like they're trying to get a record deal. Honestly, what happened to the Horror? Someone who considers you a source of protein is not a good role model.
It's common to lay the blame for all this at the feet of Anne Rice, but it goes back further than that. Bela Lugosi's dapper aristocrat, dressed for a night at the opera, lunges to mind. The original Dracula is responsible for much of the bodice-ripping and doomed-love themes that still flit around the genre. The appearance and mannerisms of Count Dracula were inspired more by Bram Stoker's relationship with the stately and imposing actor Henry Irving than any actual Eastern European folklore.
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io9 - Guillermo Del Toro's The Strain Is An Antidote To Fey Vampires - BooksIn 1943 when George Orwell wrote Animal Farm, his caustic critique of Stalin’s Russia, the Soviet Union was so popular in the United States and Great Britain that he couldn’t find a publisher for his novel. In fact, the Russians were so strongly associated with the fight against the Nazis that it wasn’t until 1945, when the Second World War was over, that Animal Farm was finally published. After reading the manuscript Orwell sent him, TS Eliot wrote a letter of rejection actually explaining that an anti-Russian novel would not fare well in the political atmosphere of the moment. He also said that the novel’s allegory was “unconvincing” and suggested that if Orwell’s goal was to make a case for Trotskyism he should’ve created “more public spirited pigs”.
Indeed, while he was a socialist, Orwell was more enchanted by Trotsky than his counter-part Stalin because he knew about Stalin’s unchecked political power, and the length he was willing to go to maintain it, first-hand. “We were very lucky to get out of Spain alive,” Orwell once wrote, and he wasn’t talking about the skirmishes he was involved in against the Fascists in the Spanish Civil War, rather; he was talking about the politically charged violence the Stalinists brought with them from Russia when sent to support the Spanish democracy. In Spain, Orwell was in a Trotskyite band of soldiers and later wrote
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If you like Grisham’s earliest works (the Firm, the Pelican Brief, etc.) you’ll almost certainly like this one too. Similarities between John Grisham’s latest book, The Associate, and his previous best seller, The Firm, are unavoidable.
With 20 novels and one work of non-fiction, Grisham has returned to trademark territory with his newest book.
Dipping us into the pitiless world of corporate law and the underhand dealings of the people working within it, Grisham has created a story that is just begging to be brought to life on the big screen.
As I was reading The Associate, the irritating image of Tom Cruise (Grisham’s hero from The Firm) popped into my head. In fact, Grisham’s descriptions of McAvoy and most other characters never really gelled with me, hence I found it difficult to build a mental picture of the main players.
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