Tuesday, 8 April 2008

BATTLESTAR GALACTICA - 1

GALACTICA OVER CAPRICA
GALACTICA'S VIEW FROM BOW
GALACTICA'S BRIDGE

GALACTICA'S VIEW FROM STARBOARD

GALACTICA'S VIEW FROM STERN (GOING HOME)

Monday, 7 April 2008

THE DEATH OF CHARLTON HESTON (1924 - 2008)


Charlton Heston -4/10/1924 - 5/4/2008


IMDb Mini Biography By: Ray Hamel


Renowned for playing a long list of historical figures, particularly in Biblical epics, the tall, well built and ruggedly handsome Charlton Heston is one of Hollywood's greatest leading men and remained active in front of movie cameras for over sixty years.

Heston was born John Charles Carter on October 4th 1924 in Evanston, Illinois, and made his feature film debut as the lead character in a 16mm production of Peer Gynt (1941), based on the Henrik Ibsen play. Shortly thereafter, he played 'Marc Antony' in Julius Caesar (1950), however Heston firmly stamped himself as genuine leading man material with his performance as circus manager 'Brad Braden' in the Cecil B. DeMille spectacular The Greatest Show on Earth (1952), also starring James Stewart and Cornel Wilde. The now very popular actor remained perpetually busy during the 1950s, both on TV and on the silver screen with audience pleasing performances in the steamy thriller The Naked Jungle (1954), as a treasure hunter in Secret of the Incas (1954) and another barn storming performance for Cecil B. DeMille as "Moses" in the blockbuster The Ten Commandments (1956). Heston delivered further dynamic performances in the oily film noir thriller Touch of Evil (1958), and then alongside Gregory Peck in the western The Big Country (1958) before scoring the role for which he is arguably best known, that of the wronged Jewish prince who seeks his freedom and revenge in the William Wyler directed Ben-Hur (1959). This mammoth Biblical epic running in excess of three and a half hours became the standard by which other large scale productions would be judged, and it's superb cast also including Stephen Boyd as the villainous "Massala", English actor Jack Hawkins as the Roman officer "Quintus Arrius", and Australian actor Frank Thring as "Pontius Pilate", all contributed wonderful performances.


Never one to rest on his laurels, steely Heston remained the preferred choice of directors to lead the cast in major historical productions and during the 1960s he starred as Spanish legend "Rodrigo Diaz de Vivar" in El Cid (1961), as a US soldier battling hostile Chinese boxers during 55 Days at Peking (1963), played the ill-fated "John the Baptist" in The Greatest Story Ever Told (1965), the masterful painter "Michelangelo" battling Pope Julius II in The Agony and the Ecstasy (1965), and an English general in Khartoum (1966). In 1968, Heston filmed the unusual western Will Penny (1968) about an aging and lonely cowboy befriending a lost woman and her son, which Heston has often referred to as his favorite piece of work on screen.


Interestingly, Heston was on the verge of acquiring an entirely new league of fans due to his appearance in four very topical science fiction films (all based on popular novels) painting bleak future's for mankind. In 1968, Heston starred as time traveling astronaut "George Taylor", in the terrific Planet of the Apes (1968) with it's now legendary conclusion as Heston realizes the true horror of his destination. He returned to reprise the role, albeit primarily as a cameo, alongside fellow astronaut James Franciscus in the slightly inferior sequel Beneath the Planet of the Apes (1970). Next up, Heston again found himself facing the apocalypse in The Omega Man (1971) as the survivor of a germ plague that has wiped out humanity leaving only bands of psychotic lunatics roaming the cities who seek to kill the uninfected Heston. And fourthly, taking its inspiration from the Harry Harrison novel "Make Room!, Make Room!", Heston starred alongside screen legend Edward G. Robinson and Chuck Connors in Soylent Green (1973). During the remainder of the 1970s, Heston appeared in two very popular "disaster movies" contributing lead roles in the far fetched Airport 1975 (1974), plus in the star laden Earthquake (1974), filmed in "Sensoround" (low bass speakers were installed in selected theaters to simulate the earthquake rumblings on screen to movie audiences). He played an evil Cardinal in the lively The Four Musketeers (1974), a mythical US naval officer in the recreation of Midway (1976), also filmed in "Sensoround", an LA cop trying to stop a sniper in Two-Minute Warning (1976) and another US naval officer in the submarine thriller Gray Lady Down (1978).

Heston appeared in numerous episodes of the high rating TV series "Dynasty" and "The Colbys", before moving onto a mixed bag of projects including TV adaptations of "Treasure Island" and "A Man For All Seasons", hosting two episodes of the comedy show, "Saturday Night Live", starring as the "Good Actor" bringing love struck Mike Myers to tears in Wayne's World 2 (1993), and as the eye patch wearing boss of intelligence agent Arnold Schwarzenegger in True Lies (1994).


He also narrated numerous TV specials and lent his vocal talents to the animated movie Hercules (1997), the family comedy Cats & Dogs (2001) and an animated version of Ben Hur (2003) (TV). Heston made an uncredited appearance in the inferior remake of Planet of the Apes (2001), and his last film appearance to date was in the Holocaust themed drama of My Father, Rua Alguem 5555 (2003).

Heston has been married to Lydia Marie Clark Heston since March 1944, and they have two children. His highly entertaining autobiography was released in 1995, titled appropriately enough "Into The Arena". Although often criticized for his strong conservative beliefs and involvement with the NRA, Heston was a strong advocate for civil right many years before it became fashionable, and has been a recipient of the Jean Hersholt Humanitarian Award, plus the Kennedy Center Lifetime Achievement Award. In 2002, he was diagnosed with Alzheimer's disease, and has not appeared in a film or TV production since 2003.


Truly, Charlton Heston is one of the legendary figures of US cinema.

Sunday, 6 April 2008

ROBERT A. HEINLEIN (A BRIEF BIOGRAPHY)


Robert A(nson) Heinlein (1907-1988)

Prolific American writer, one of the grand masters of science fiction with Isaac Asimov and Arthur C. Clarke. Heinlein produced during his career fifty novels and collections of short stories. Heinlein admired highly motivated men of action - like Howard Hawks in his movies - and attacked religious hypocrisy and corporate power games. His later works, in which his right-wing views mixed with fast-moving stories and fascination with with the paranormal, earned him the reputation of being a militarist, even a "fascist". However, a number of his book gained cult status among members of the counterculture.

"Furthermore, although a flaming liberal during the war, Heinlein became a rock-ribbed far-right conservative immediately afterward. This happened at just the time he changed wives from a liberal woman, Leslyn, to a rock-ribbed far-right conservative woman, Virginia... I used to brood about it in puzzlement (of course, I never would have dreamed of asking Heinlein - I'm sure he would have refused to answer, and would have done so with the uttermost hostility), and I did come to one conclusion. I would never marry anyone who did not generally agree with my political, social, and philosophical view of life." (from I, Asimov: A Memoir, 1994)

Robert A. Heinlein was born in Butler, Missouri, into a family of seven children. He attended public school in Kansas City and graduated from Central High School in 1924. In 1929 he graduated from the U.S. Naval Academy at Annapolis, and served in aircraft carriers and destroyers. During this period, he married Leslyn McDonald. In 1934 he was invalided out for tuberculosis. Heinlein started to study physics at the graduate school of U.C.L.A. He left the school without completing his studies and worked in odd jobs in mining and real estate without real success. At the age of thirty-two, he turned his hand to the writing science fiction. Heinlein's first published stories appeared in action-adventure pulp magazine Astounding Science Fiction in 1939. It was edited by John W. Campbell, who has been credited with moving science fiction toward its modern form. Under his influence writers started to examine how technology might affect the everyday life of ordinary people and society in general.

Heinlein never got over his navy discharge. After the Japanese attack on Pearl Harbor, he tried to enlist but was rejected. During World War II years from 1943 Heinlein published no stories, but worked as an engineer at the Naval Air Experimental Station, Philadelphia. His first novel, ROCKET SHIP GALILEO (1947) paved way to childrens' science fiction. After divorce he married in 1948 Virginia Doris Gerstenfeld. From 1947 to 1959 Heinlein produced sixteen novels.

Heinlein's early works emphasized adventure and were aimed at young readers. In 1959 he received the Boys' Clubs of America Book Award. In these novels Heinlein avoided open didacticism, although his young protagonists learned lessons in courage, tolerance, and military virtues during the course of the story. Often Heinlein's male protagonist has to go through rites of passage - he meets a guru or somebody who has superior wisdom, and after a period of learning he has to earn his place in a group and prove his skills. CITIZEN OF THE GALAXY (1957), dedicated to Fritz Leiber, was actually Oliver Twist in space. In the story a young boy, Thorby, is bought from an inter-galactic slave market by a mysterious beggar, a benefactor, who later turns out to be a secret agent. Thorby learns to speak Finnish and after all kinds of adventures he turns out to be from a wealthy corporate family from the Earth.

In STARSHIP TROOPERS (1959) Heinlein showed his fascination with the glamour of high-tech weaponry. The book earned him again the prestigious Hugo Award. Starship Troopers first appeared in abridged form in The Magazine of Fantasy and Science Fiction in 1959. The hero is Juan "Johnnie" Rico, a son of a wealthy merchant who has enlisted in the army to impress the beautiful Carmen. After tough training he joins Rasczack's Roughnecks to battle against the "Bugs", intelligent arthropods. Johnnie's mother is killed in a bombing, Carmen becomes a starship pilot, and their mutual friend Carl dies in a battle in Pluto. Heinlein's militaristic novel attacks corruption and distorted views of democracy - only those willing to sacrifice their lives for the state may govern and vote. The social system of the Bugs represent "total communism", Heinlein's regular publisher, Scribner's refused to publish the book and it eventually appeared under the Putnam imprint. The film adaptation from 1997 played with the themes of fascism and militarism, but the comic book characters did not interest adult movie goers. "Whereas Heinlein's novel was punctuated by quotations from apocryphal books about warfare and social order, the movie has chosen to interpolate into the action a wearisome series of newscasts, media bulletins, and commercial advertisements. These interruptions serve no dramatic or satirical purpose whatsoever; they are merely annoying and, at best, sophomoric in their obvious humor." (from Novels into Film by John C. Tibbets and James M. Welsh, 1997)From the late 1950s Heinlein started write expressly for adults and deal with such topics as cloning, incest, religion, free love and mysticism. Heinlein's religious views in direct opposition to the literal interpretation of biblical scripture: "The most preposterous notion that H. sapiens has ever dreamed up is that the Lord God of Creation, Shaper and Ruler of all the Universes, wants the saccharine adoration of His creatures, can be swayed by their prayers, and becomes petulant if He does not receive flattery. Yet this absurd fantasy, without a shred of evidence to bolster it, pays all the expenses of the oldest, largest, and least productive industry in all history." (from Time Enough for Love, 1973)

Heinlein's short stories were independent of one another but related in the author's 'Future History: 1951-2600' AD time line. Some of his characters periodically appear in different novels, among the Lazarus Long from METHUSELAH'S CHILDREN (1958). In TIME ENOUGH FOR LOVE (1973) Lazarus has a number of sexual adventures, travels back in time, and has sex with his own mother. "A "pacifist male" is a contradiction in terms. Most self-described "pacifist" are not pacifist; they simple assume false colors. When the wind changes, they hoist the Jolly Roger." (from Time Enough for Love, 1973) The life of Maureen Johnson, Lazarus's mother, is dealt in TO SAIL BEYOND THE SUNSET (1987). Nearly all of Heinlein's work fit into a specific time period within this larger scheme. The idea was later imitated by several writers, with considerable success by Poul Anderson and Larry Niven. Also Isaac Asimov developed similar scheme, and claimed imaginative copyright on the imagined future.

Among Heinlein's best known works is the pre-Hippie STRANGER IN A STRANGE LAND, published in 1961. A few years later it was adopted by the 'Peace and Love' generation. This work became the most successful science-fiction novel ever published. The protagonist is Valentine Michael Smith, a child of two members of the first expedition to Mars. He is born there and raised on by brillinatly advanced Martians after humans have died. A second Mars expedition discovers him and Michael comes to Earth without much knowledge of sex. He is shertered and educated by Jubal Harshaw, and old doctor, lawyer, and writer. Helped with psi powers he establishes a new religion and starts his transformation into a Messiah-figure. Michael is eventually killed by a mob, but his disciples, called "water brothers," continue his work. Again, like in many Heinlein's works, a small elite rises above the masses and show the way to future. Stranger in a Strange Land was one of the favorite books of the mass murderer Charles Manson. "When he started his "family" in Berkeley, San Francisco, and Los Angeles, Manson borrowed some of the terminology and ceremonies from the book. It is reported that his followers held water-sharing ceremonies as well as group sex orgies. He referred to his parole officer as "Roger Smith Jubal," after Jubal Harshaw, Mike's mentor. When Mary Theresa Brunner, one of Manson's followers, gave birth to a baby boy in 1968, Manson named the child Valentine Michael Manson." (from Chronology of Twentieth-Century History: Arts & Culture, volume II, ed. by Frank N. Magill, 1998)

GLORY ROAD (1963) has been decades one of Heinlein's most popular books, written in the tradition of Edgar Rice Burroughs's Mars stories. The protagonist is Oscar Gordon who experiences a series of adventures with a beautiful woman, Star, and an old man, Rufo, who have their secrets. MOON IS A HARSH MISTRESS (1966) was set in an exploited penal colony, Luna. All dissident and other unfits have been sent there and soon the best brains invents new forms of marriage due to shortage of women. The protagonist has an artificial left arm, or several of them for special purposes. In I WILL FEAR NO EVIL (1971) a dying tycoon, Johann Smith, has his brain transplanted into the body of Eunice, a young black woman. Johann has her body impregnated with his frozen sperm. CAT WHO WALKS THROUGH WALLS (1985) was about alternate histories and time travels. Colonel Colin Campbell, alias Senator Richard Johnson, alias doctor Richard Ames, is a warrior, philosopher, and wanderer, who saves the history and future of multiversum. Also Schrödinger's cat has an important role in the story.

Usually Heinlein spent some three months with his writing and travelled widely for the rest of the time. In 1973 he taught as James V. Forrestal Lecturer at the U.S. Naval Academy. He was awarded the first Grand Master Nebula in 1975. Heinlein was repeatedly voted as 'the best all-time author' in reader's polls held by the magazine Locus in 1973 and 1975. He died on May 8, 1988.

For further reading: World Authors 1900-1950, ed. by M. Seymour-Smith, A.C. Kimmes (1996); The Encyclopedia of Science Fiction, ed. by John Clute, Peter Nicholls (1995); Robert A. Heinlein Cyclopedia by N.B.A. Downing (1989); Robert A. Heinlein by L. Stover (1987); Yesterday or Tomorrow? The Work of Robert A. Heinlein by R. Reginald (1984); Robert A. Heinlein by P. Nicholls (1982) Robert A. Heinlein by H.B. Franklin (1980); Robert A. Heinlein, ed. by J.D. Clander and M.H. Greenberg (1978); The Classic Years of Robert. A. Heinlein by G.E. Slusser (1977); Robert A. Heinlein by G.E. Slusser (1977): Heinlein in Dimensions by A. Panshin (1968) - Note: Heinlein's social Darwinist view - 'the survival of the fittiest' - is seen among others in his works The Puppet Masters (1951), Starship Troopers, The Moon is a Harsh Mistress. - For further information: The Heinlein Society

Selected works:

LIFE-LINE, 1939 (first short story) - Elämänlanka
THE DISCOVERY OF THE FUTURE, 1941 (address)
ROCKET SHIP GALILEO, 1947
OF WORLDS BEYOND, 1947 (with others)
BEYOND THIS HORIZON, 1948 - Yli-ihmisen aika
SPACE CADET, 1948 - basis for the television series 'Tom Corbett: Space Cadet' - Rakettilaivan kadettiRED PLANET, 1949
SIXTH COLUMN, 1949 (reissued as THE DAY AFTER TOMORROW) - Seitsemän miehen sota
THE MAN WHO SOLD THE MOON, 1950 - Mies joka myi kuun
FARMER IN THE SKY, 1950
WALDO AND MAGIC, INC., 1950
screenplay: DESTINATION MOON, 1950 - based on Rocket Ship Galileo, with Rip Van Ronkel and James O´Hanlon
THE GREEN HILLS OF EARTH, 1951
BETWEEN PLANETS, 1951
UNIVERSE / ORPHANS OF THE SKY, 1951
THE PUPPET MASTERS, 1951
ed.: TOMORROW, THE STARS, 1952
THE ROLLING STONES / SPACE FAMILY STONE, 1952
REVOLT IN 2100, 1953 - Kapina 2100
STARMAN JONES, 1953
screenplay: PROJECT MOONBASE, 1953
ASSINGMENT IN ETERNITY, 1953
THE STAR BEAST, 1954
TUNNEL IN THE SKY, 1955
DOUBLE STAR, 1956 (Hugo Award) - Panoksena tulevaisuus
TIME FOR THE STARS, 1956
television plays: TOM CORBETT: SPACE CADET, aired from 1951-56
THE DOOR INTO SUMMER, 1957
CITIZEN OF THE GALAXY, 1957 - Galaksin kansalainen
FAMOUS SCIENCE FICTION STORIES, 1957 (with others)
METHUSELAH'S CHILDREN, 1958 - Maan hylkimät
HAVE SPACE SUIT, WILL TRAVEL, 1958
STARSHIP TROOPERS, 1959 (Hugo Award) - film 1997, dir. by Paul Verhoeven, written by Ed Nuemeyer
THE MENACE FROM EARTH, 1959
THE SCIENCE FICTION NOVEL, 1959 (with others)
THE UNPLEASANT PROFESSION OF JONATHAN HOAG, 1959 (reissued as 6 x H)STRANGER IN A STRANGE LAND, 1961 (Hugo Award, complete version in 1991)
PODKAYNE OF MARS, 1963 - Taistelu VenuksessaGLORY ROAD, 1963
THREE BY HEINLEIN, 1965
THE MOON IS A HARSH MISTRESS, 1966 (Hugo Award) - Kuu on julma
A ROBERT HEINLEIN OMNIBUS, 1966
THE WORLDS OF ROBERT A HEINLEIN, 1966
THE PAST THROUGH TOMORROW, 1967
I WILL FEAR NO EVIL, 1970
TIME ENOUGH FOR LOVE, 1973
THE BEST OF ROBERT A. HEINLEIN, 1973 (2 vols.)
THE NOTEBOOKS OF LAZARUS LONG, 1978
DESTINATION MOON, 1979
TIME ENOUGH FOR LOVE; EXPANDED UNIVERSE, 1980
THE NUMBER OF THE BEAST, 1980
EXPANDED UNIVERSE, 1980FRIDAY, 1982
preface: HIGH FRONTIER, 1983
JOB: A COMEDY OF JUSTICE, 1984 - Tuomiopäivän komedia
THE CAT WHO WALKS THROUGH WALLS: A COMEDY OF MANNERS, 1985 - Kissa muurin läpi
TO SAIL BEYOND THE SUNSET, 1987
GRUMBLES FROM THE GRAVE, 1990
TRAMP ROYALE, 1992 (travel, book, written between 1953 and 1954)
ROBERT A. HEINLEIN REQUIEM, 1992

LUCY IN THE SKY WITH DIAMONDS (THE BEATLES)

Picture yourself in boat on a river,
With tangerine trees and marmalade skies
Somebody calls you, you answer quite slowly,
A girl with kaleidoscope eyes.

Cellophane flowers of yellow and green,
Towering over your head.
Look for the girl with the sun in her eyes,
And she's gone.

Lucy in the sky with diamonds,

Follow her down to a bridge by a fountain
Where rocking horse people eat marshmallow pies,
Everyone smiles as you drift past the flowers,
That grow so incredibly high.

Newspaper taxis appear on the shore,
Waiting to take you away.
Climb in the back with your head in the clouds,
And you're gone.

Lucy in the sky with diamonds,

Picture yourself on a train in a station,
With plasticine porters with looking glass ties,
Suddenly someone is there at the turnstile,
The girl with kaleidoscope eyes.

Lucy in the sky with diamonds.

Sgt. PEPPER'S LONELELY HEARTS CLUB BAND


It was twenty years ago today.
that Sgt. Pepper taught the band to play
They've been going in and out of style
But they're guaranteed to raise a smile.
So may I introduce to you
The act you've known for all these years,
Sgt. Pepper's Lonely Hearts Club Band.

We're Sgt. Pepper's Lonely Hearts Club Band,
We hope you will enjoy the show,
We're Sgt. Pepper's Lonely Hearts Club Band,
Sit back and let the evening go.

Sgt. Pepper's lonely,
Sgt. Pepper's lonely,
Sgt. Pepper's Lonely Hearts Club Band.


It's wonderful to be here,
It's certainly a thrill.
You're such a lovely audience,
We'd like to take you home with us,
We'd love to take you home.


I don't really want to stop the show,
But I thought you might like to know,
That the singer'sgoning to sing a song,
And he wants you all to sing along.
So may I introduce to you
The one only Billy Shears
And Sgt. Pepper's Lonely Hearts Club Band.

WHILE MY GUITAR GENTLY WEEPS (THE BEATLES)

I look at you all see the love there that's sleeping
While my guitar gently weeps.
I look at the floor and I see it needs sweeping
Still my guitar gently weeps.

I don't know why nobody told you
How to unfold your love,
I don't know how someone controlled you
They bought and sold you.

I look at the world and I notice it's turning
While my guitar gently weeps.
With every mistake we must surely be learning,
Still my guitar gently weeps.

I don't know how you were diverted
You were perverted too.
I don't know how you were inverted
No one alerted you.

I look at you see all the love there that's sleeping,
While my guitar gently weeps.
I then look at you all,
Still my guitar gently weeps.

LOVE STREET (THE DOORS)

She lives on Love Street
Lingers long on Love Street
She has a house and garden
I would like to see what happens


She has robes and she has monkeys
Lazy diamond studded flunkies
She has wisdom and knows what to do
She has me and she has you


She has wisdom and knows what to do
She has me and she has you

I see you live on Love Street
There's this store where the creatures meet
I wonder what they do in there
Summer Sunday and a year
I guess I like it fine, so far

She lives on Love Street
Lingers long on Love Street
She has a house and garden
I would like to see what happens


La, la, la, la, la, la, la

LOVE HIDES (THE DOORS)

Love hides in the strangest places.
Love hides in familiar faces.
Love comes when you least expect it.
Love hides in narrow corners.
Love comes to those who seek it.
Love hides inside the rainbow.
Love hides in molecular structures.
Love is the answer.

SONG OF SONGS

Song of Songs

Chapter 1

1 THE SONG of songs, which is Solomon's.
Chapter 2

1 I am a rose of Sharon, a lily of the valleys.

2 As a lily among thorns, so is my love among the daughters.

3 As an apple-tree among the trees of the wood, so is my beloved among the sons. Under its shadow I delighted to sit, and its fruit was sweet to my taste.

4 He hath brought me to the banqueting-house, and his banner over me is love.

5 'Stay ye me with dainties, refresh me with apples; for I am love-sick.'

6 Let his left hand be under my head, and his right hand embrace me.

7 'I adjure you, O daughters of Jerusalem, by the gazelles, and by the hinds of the field, that ye awaken not, nor stir up love, until it please.'

8 Hark! my beloved! behold, he cometh, leaping upon the mountains, skipping upon the hills
.
9 My beloved is like a gazelle or a young hart; behold, he standeth behind our wall, he looketh in through the windows, he peereth through the lattice.

10 My beloved spoke, and said unto me: 'Rise up, my love, my fair one, and come away.

11 For, lo, the winter is past, the rain is over and gone;

12 The flowers appear on the earth; the time of singing is come, and the voice of the turtle is heard in our land;

13 The fig-tree putteth forth her green figs, and the vines in blossom give forth their fragrance. Arise, my love, my fair one, and come away.

14 O my dove, that art in the clefts of the rock, in the covert of the cliff, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.'

15 'Take us the foxes, the little foxes, that spoil the vineyards; for our vineyards are in blossom.'
16 My beloved is mine, and I am his, that feedeth among the lilies.

17 Until the day breathe, and the shadows flee away, turn, my beloved, and be thou like a gazelle or a young hart upon the mountains of spices.
Chapter 3

1 By night on my bed I sought him whom my soul loveth; I sought him, but I found him not.

2 'I will rise now, and go about the city, in the streets and in the broad ways, I will seek him whom my soul loveth.' I sought him, but I found him not.

3 The watchmen that go about the city found me: 'Saw ye him whom my soul loveth?'

4 Scarce had I passed from them, when I found him whom my soul loveth: I held him, and would not let him go, until I had brought him into my mother's house, and into the chamber of her that conceived me.

5 'I adjure you, O daughters of Jerusalem, by the gazelles, and by the hinds of the field, that ye awaken not, nor stir up love, until it please.'

6 Who is this that cometh up out of the wilderness like pillars of smoke, perfumed with myrrh and frankincense, with all powders of the merchant?

7 Behold, it is the litter of Solomon; threescore mighty men are about it, of the mighty men of Israel.

8 They all handle the sword, and are expert in war; every man hath his sword upon his thigh, because of dread in the night.

9 King Solomon made himself a palanquin of the wood of Lebanon.

10 He made the pillars thereof of silver, the top thereof of gold, the seat of it of purple, the inside thereof being inlaid with love, from the daughters of Jerusalem.

11 Go forth, O ye daughters of Zion, and gaze upon king Solomon, even upon the crown wherewith his mother hath crowned him in the day of his espousals, and in the day of the gladness of his heart.
Chapter 4

1 Behold, thou art fair, my love; behold, thou art fair; thine eyes are as doves behind thy veil; thy hair is as a flock of goats, that trail down from mount Gilead.

2 Thy teeth are like a flock of ewes all shaped alike, which are come up from the washing; whereof all are paired, and none faileth among them.

3 Thy lips are like a thread of scarlet, and thy mouth is comely; thy temples are like a pomegranate split open behind thy veil.

4 Thy neck is like the tower of David builded with turrets, whereon there hang a thousand shields, all the armour of the mighty men.

5 Thy two breasts are like two fawns that are twins of a gazelle, which feed among the lilies.

6 Until the day breathe, and the shadows flee away, I will get me to the mountain of myrrh, and to the hill of frankincense.

7 Thou art all fair, my love; and there is no spot in thee.

8 Come with me from Lebanon, my bride, with me from Lebanon; look from the top of Amana, from the top of Senir and Hermon, from the lions' dens, from the mountains of the leopards.

9 Thou hast ravished my heart, my sister, my bride; thou hast ravished my heart with one of thine eyes, with one bead of thy necklace.

10 How fair is thy love, my sister, my bride! how much better is thy love than wine! and the smell of thine ointments than all manner of spices!

11 Thy lips, O my bride, drop honey--honey and milk are under thy tongue; and the smell of thy garments is like the smell of Lebanon.

12 A garden shut up is my sister, my bride; a spring shut up, a fountain sealed.

13 Thy shoots are a park of pomegranates, with precious fruits; henna with spikenard plants,
14 Spikenard and saffron, calamus and cinnamon, with all trees of frankincense; myrrh and aloes, with all the chief spices.

15 Thou art a fountain of gardens, a well of living waters, and flowing streams from Lebanon.

16 Awake, O north wind; and come, thou south; blow upon my garden, that the spices thereof may flow out. Let my beloved come into his garden, and eat his precious fruits.

Chapter 5

1 I am come into my garden, my sister, my bride; I have gathered my myrrh with my spice; I have eaten my honeycomb with my honey; I have drunk my wine with my milk. Eat, O friends; drink, yea, drink abundantly, O beloved.

2 I sleep, but my heart waketh; Hark! my beloved knocketh: 'Open to me, my sister, my love, my dove, my undefiled; for my head is filled with dew, my locks with the drops of the night.'

3 I have put off my coat; how shall I put it on? I have washed my feet; how shall I defile them?

4 My beloved put in his hand by the hole of the door, and my heart was moved for him.

5 I rose up to open to my beloved; and my hands dropped with myrrh, and my fingers with flowing myrrh, upon the handles of the bar.

6 I opened to my beloved; but my beloved had turned away, and was gone. My soul failed me when he spoke. I sought him, but I could not find him; I called him, but he gave me no answer.

7 The watchmen that go about the city found me, they smote me, they wounded me; the keepers of the walls took away my mantle from me.

8 'I adjure you, O daughters of Jerusalem, if ye find my beloved, what will ye tell him? that I am love-sick.'

9 'What is thy beloved more than another beloved, O thou fairest among women? What is thy beloved more than another beloved, that thou dost so adjure us?'

10 'My beloved is white and ruddy, pre-eminent above ten thousand.

11 His head is as the most fine gold, his locks are curled, and black as a raven.

12 His eyes are like doves beside the water-brooks; washed with milk, and fitly set.

13 His cheeks are as a bed of spices, as banks of sweet herbs; his lips are as lilies, dropping with flowing myrrh.

14 His hands are as rods of gold set with beryl; his body is as polished ivory overlaid with sapphires.

15 His legs are as pillars of marble, set upon sockets of fine gold; his aspect is like Lebanon, excellent as the cedars.

16 His mouth is most sweet; yea, he is altogether lovely. This is my beloved, and this is my friend, O daughters of Jerusalem.'
Chapter 6

1 'Whither is thy beloved gone, O thou fairest among women? Whither hath thy beloved turned him, that we may seek him with thee?'

2 'My beloved is gone down into his garden, to the beds of spices, to feed in the gardens, and to gather lilies.

3 I am my beloved's, and my beloved is mine, that feedeth among the lilies.'

4 Thou art beautiful, O my love, as Tirzah, comely as Jerusalem, terrible as an army with banners.

5 Turn away thine eyes from me, for they have overcome me. Thy hair is as a flock of goats, that trail down from Gilead.

6 Thy teeth are like a flock of ewes, which are come up from the washing; whereof all are paired, and none faileth among them.

7 Thy temples are like a pomegranate split open behind thy veil.

8 There are threescore queens, and fourscore concubines, and maidens without number.

9 My dove, my undefiled, is but one; she is the only one of her mother; she is the choice one of her that bore her. The daughters saw her, and called her happy; yea, the queens and the concubines, and they praised her.

10 Who is she that looketh forth as the dawn, fair as the moon, clear as the sun, terrible as an army with banners?

11 I went down into the garden of nuts, to look at the green plants of the valley, to see whether the vine budded, and the pomegranates were in flower.

12 Before I was aware, my soul set me upon the chariots of my princely people.
Chapter 7

1 Return, return, O Shulammite; Return, return, that we may look upon thee. What will ye see in the Shulammite? As it were a dance of two companies.

2 How beautiful are thy steps in sandals, O prince's daughter! The roundings of thy thighs are like the links of a chain, the work of the hands of a skilled workman.

3 Thy navel is like a round goblet, wherein no mingled wine is wanting; thy belly is like a heap of wheat set about with lilies.

4 Thy two breasts are like two fawns that are twins of a gazelle.

5 Thy neck is as a tower of ivory; thine eyes as the pools in Heshbon, by the gate of Bath-rabbim; thy nose is like the tower of Lebanon which looketh toward Damascus.

6 Thy head upon thee is like Carmel, and the hair of thy head like purple; the king is held captive in the tresses thereof.

7 How fair and how pleasant art thou, O love, for delights!

8 This thy stature is like to a palm-tree, and thy breasts to clusters of grapes.

9 I said: 'I will climb up into the palm-tree, I will take hold of the branches thereof; and let thy breasts be as clusters of the vine, and the smell of thy countenance like apples;

10 And the roof of thy mouth like the best wine, that glideth down smoothly for my beloved, moving gently the lips of those that are asleep.'

11 I am my beloved's, and his desire is toward me.

12 Come, my beloved, let us go forth into the field; let us lodge in the villages.

13 Let us get up early to the vineyards; let us see whether the vine hath budded, whether the vine-blossom be opened, and the pomegranates be in flower; there will I give thee my love.

14 The mandrakes give forth fragrance, and at our doors are all manner of precious fruits, new and old, which I have laid up for thee, O my beloved.
Chapter 8

1 Oh that thou wert as my brother, that sucked the breasts of my mother! When I should find thee without, I would kiss thee; yea, and none would despise me.

2 I would lead thee, and bring thee into my mother's house, that thou mightest instruct me; I would cause thee to drink of spiced wine, of the juice of my pomegranate.

3 His left hand should be under my head, and his right hand should embrace me.

4 'I adjure you, O daughters of Jerusalem: Why should ye awaken, or stir up love, until it please?'

5 Who is this that cometh up from the wilderness, leaning upon her beloved? Under the apple-tree I awakened thee; there thy mother was in travail with thee; there was she in travail and brought thee forth.

6 Set me as a seal upon thy heart, as a seal upon thine arm; for love is strong as death, jealousy is cruel as the grave; the flashes thereof are flashes of fire, a very flame of HaShem.

7 Many waters cannot quench love, neither can the floods drown it; if a man would give all the substance of his house for love, he would utterly be contemned.

8 We have a little sister, and she hath no breasts; what shall we do for our sister in the day when she shall be spoken for?

9 If she be a wall, we will build upon her a turret of silver; and if she be a door, we will enclose her with boards of cedar.

10 I am a wall, and my breasts like the towers thereof; then was I in his eyes as one that found peace.

11 Solomon had a vineyard at Baal-hamon; he gave over the vineyard unto keepers; every one for the fruit thereof brought in a thousand pieces of silver.

12 My vineyard, which is mine, is before me; thou, O Solomon, shalt have the thousand, and those that keep the fruit thereof two hundred.

13 Thou that dwellest in the gardens, the companions hearken for thy voice: 'Cause me to hear it.'

14 Make haste, my beloved, and be thou like to a gazelle or to a young hart upon the mountains of spices.

Saturday, 5 April 2008

THOUGHTS

"He who saves one life... it is as if he saves an entire universe. He who destroys a life... it is as if he destroys an entire universe"
TALMUD - Sanhedrin 4:5

IT'S A HARD LIFE

(Words and music by Freddie Mercury)


I don't want my freedom
There's no reason for living with a broken heart


This is a tricky situation
I've only got myself to blame
It's just a simple fact of life
It can happen to anyone


You win - you lose
It's a chance you have to take with love
Oh yeah - I fell in love
And now you say it's over and I'm falling apart


It's a hard life
To be true lovers together
To love and live forever in each others hearts
It's a long hard fight
To learn to care for each other
To trust in one another right from the start
When you're in love


I try and mend the broken piecesI
try to fight back the tears
They say it's just a state of mind
But it happens to everyone


How it hurts - deep inside
When your love has cut you down to size
Life is tough - on your own
Now I'm waiting for something to fall from the skies
And I'm waiting for love


Yes it's a hard life
Two lovers together
To love and live forever in each others hearts
It's a long hard fight
To learn to care for each other
To trust in one another - right from the start
When you're in love


Yes it's a hard life
In a world that's filled with sorrow
There are people searching for love in ev'ry way
It's a long hard fight
But I'll always live for tomorrow
I'll look back on myself and say I did it for love
Yes I did it for love - for love - oh I did it for love

SUPERHEROES (4) SPIDERMAN VS. DRACULA


SUPERHEROES (3) BATMAN VS. THE JOKER (DARK KNIGHT - A PREVIEW)

ENTERS THE JOKER - THE VILLAIN YOU WILL LOVE...TO HATE !!!




SUPERHEROES (2) BATMAN (BATMAN BEGINS)





SUPERHEROES (1) BATMAN (VARIOUS IMAGES)












HEROES OF MY YOUTH (2) - THE LONE RANGER (TV SERIES)






HEROES OF MY YOUTH (1) - THE LONE RANGER (COMICS)








Friday, 4 April 2008

DISAPPEARED THEATERS - 1 - "IMPÉRIO"




A shame. One by one, all of our big theatres came to an end. Some were demolished and others transformed into something else. With their disappearance we lost part of our culture.

This particular theater "CINEMA IMPÉRIO" was one of them. There I saw my first movies, there I learned to love the "Silver Screen". At least the photos are the ever lasting reminder of a wonderful past.

But let us be honest to ourselves, we are much more poor today.

Thursday, 3 April 2008

BLAKE & MORTIMER - THE PORTUGUESE EDITION OF "THE GONDWANA SHRINE" - THEIR LATEST ADVENTURE

Portugal, it seems, was the first country, worlwide, who saw the newest adventure of Blake & Mortimer being released to the public - the 24th of past month of March.

Here's the cover of the Portuguese Edition:




Volumes published in the Blake and Mortimer series:



1950 - Le Secret de l'Espadon, Tome 1 (The Secret of The Swordfish Volume 1: Ruthless Pursuit) ISBN 2-87097-002-1
1953 - Le Secret de l'Espadon, Tome 2 (The Secret of The Swordfish Volume 2: Mortimer's Escape) ISBN 2-87097-004-8
1953 - Le Secret de l'Espadon, Tome 3 (The Secret of The Swordfish Volume 3: SX1 Counterattacks) ISBN 2-87097-005-6
1954 - Le Mystère de la Grande Pyramide, Tome 1 (The Mystery of the Great Pyramid, Volume 1: Manetho's Papyrus) ISBN 2-87097-008-0
1955 - Le Mystère de la Grande Pyramide, Tome 2 (The Mystery of the Great Pyramid Volume 2: The Chamber of Horus) ISBN 2-87097-009-9
1956 - La Marque Jaune (The Yellow "M") ISBN 2-87097-010-2
1957 - L'Énigme de l'Atlantide (Atlantis Mystery) ISBN 2-87097-013-7
1959 - S.O.S. Météores: Mortimer à Paris (S.O.S. Meteors: Mortimer in Paris) ISBN 2-87097-015-3
1962 - Le Piège diabolique (The Time Trap (comic)) ISBN 2-87097-020-X
1967 - L'Affaire du Collier (The Necklace Affair) ISBN 2-87097-025-0
1971 - Les trois Formules du Professeur Sato, Tome 1: Mortimer à Tokyo (Professor Sató's Three Formulae, Volume 1: Mortimer in Tokyo) ISBN 2-87097-016-1
1990 - Les trois Formules du Professeur Sato, Tome 2: Mortimer contre Mortimer (Professor Sató's Three Formulae, Volume 2: Mortimer vs. Mortimer) ISBN 2-87097-017-X
1996 - L'Affaire Francis Blake (The Francis Blake Affair) ISBN 2-87097-051-X
2000 - La Machination Voronov' (The Voronov Plot) ISBN 2-87097-057-9
2001 - L'Étrange Rendez-Vous (The Strange Encounter) ISBN 2-87097-059-5
2003 - Les Sarcophages du Sixième Continent, Tome 1: La Menace universelle (The Sarcophagi of the Sixth Continent, Volume 1: The Universal Threat) ISBN 2-87097-066-8
2004 - Les Sarcophages du Sixième Continent, Tome 2: Le Duel des Esprits (The Sarcophagi of the Sixth Continent, Volume 2: Battle of the Minds) ISBN 2-87097-068-4
2008 - Le sanctuaire du Gondwana (The Gondwana Shrine) Not yet released[2][3][4]
2009 - La malédiction des trente deniers (The Curse of the Thirty Denarii) Not yet released[5][6]
ISBNs given are of the latest French language editions as issued by Les Éditions Blake et Mortimer in Brussels. Le Rayon «U», in many ways a precursor of the series, has been re-issued as "Volume 0" (ISBN 2-87097-023-4). Additionally, the storyboard sketches by Jacobs of Volume 12, left incomplete at the time of his death, have been re-issued in 1996 outside of the series as Dossier Mortimer contre Mortimer (ISBN 2-87097-022-6
).

BLAKE & MORTIMER - NEW ADVENTURE SOON TO BE AVAILABLE



March 20th, 2008


Filed under: Graphic Novels, From our Continental Correspondent � Wim @ 10:05 am
Their creator, Edgar P. Jacobs, may have passed away a long time ago now, but Blake and Mortimer still live on. And while it may pass virtually unnoticed in the world at large, in BD-land a new Blake And Mortimer album is still supposed to be a big deal. And so publisher Dargaud presents with great pride (and hope for good sales figures) the new Blake and Mortimer book: The Gondwana Sanctuary (Le Sanctuaire De Gondwana).
It’s the eighteenth book in the series, and the seventh that was not entirely created by Jacobs (album number 12, the second part of Professor Sato’s Three Formulas, was drawn by Hergé’s right-hand man Bob De Moor, based on unfinished sketches by Jacobs). Professor Mortimer has brought back a mysterious piece of rock from his expedition from the South Pole, and this leads him on the trail of a fantastic, lost civilisation. His search leads him to the entrails of the Ngorongoro crater in Tanzania (or Tanganyka, as Kenya and Tanzania were known then), not far from Lake Victoria. Thus starts a supposedly rollicking adventure that will lead Blake and Mortimer to black Africa for the first time.

The creative team on this book consists of writer Yves Sente and artist André Juillard. As they were also the team behind the previous Blake and Mortimer adventure, the two-parter The Sixth Contintent Sarcophages (Les Sarcophages du 6e continent), it would seem that the times of having another team create every other book are over.

(panels from Le Sanctuaire De Gondwana, written by Yves Sente with art by André Juillard, borrowed from the Dargaud site and (c) Dargaud. I tmay just be me but when I see this style it makes me want to stop what I am doing and go and read some of Garen Ewing’s Rainbow Orchid)

Juillard has clearly mastered Jacobs’ style to the minute, while Ted Benoit, who previously did two books together with writer Jean Van Hamme, always leaned more towards a Jacobsified Ligne Claire, if you will. And while Van Hamme at least tried to update the admittedly old-fashioned and quite tiresome storytelling style that Jacobs used, Sente always safely stays within the master’s footsteps. That results in the real Blake And Mortimer feeling, but whether it will attract a new audience, is another matter.

Judge for yourself, and read a six-page preview on the Dargaud site, but don’t bother to go to the official Blake And Mortimer site as yet though, because it looks as if the book is still unknown there thus far

Wednesday, 2 April 2008

THE ADVENTURES OF TINTIN - THE COVERS


Tintin comic titles published in English
1. Tintin in the Land of the Soviets (1929–1930)
2. Tintin in the Congo (1930–1931)
3. Tintin in America (1931–1932)
4. Cigars of the Pharaoh (1932–1934)
5. The Blue Lotus (1934–1935)
6. The Broken Ear (1935–1937)
7. The Black Island (1937–1938)
8. King Ottokar's Sceptre (1938–1939)
9. The Crab with the Golden Claws (1940–1941)
10. The Shooting Star (1941–1942)
11. The Secret of the Unicorn (1942–1943)
12. Red Rackham's Treasure (1943–1944)
13. The Seven Crystal Balls (1943–1948)
14. Prisoners of the Sun (1946–1949)
15. Land of Black Gold (1948–1950)
16. Destination Moon (1950–1953)
17. Explorers on the Moon (1950–1954)
18. The Calculus Affair (1954–1956)
19. The Red Sea Sharks (1958)
20. Tintin in Tibet (1960)
21. The Castafiore Emerald (1963)
22. Flight 714 (1968)
23. Tintin and the Picaros (1976)
24. Tintin and Alph-Art (1986-2004)
Published posthumously
Related Posts Plugin for WordPress, Blogger...