Showing posts with label Toronto Int. Film Festival. Show all posts
Showing posts with label Toronto Int. Film Festival. Show all posts

Sunday, 20 September 2009

Love of the Land: The Biggest Jewish Settlement


Jonathan Tobin
Contentions/Commentary
18 September 09

At the center of the recent controversy about the participation of Israeli artists at the Toronto Film Festival was the fact that the event highlighted the city of Tel Aviv’s centennial. To the signatories of a letter of protest, a group that included Danny Glover, Wallace Shawn, and Jane Fonda, it was the notion of celebrating Tel Aviv that was the real problem. It was, they said, founded on violence and the “suffering of thousands of former residents and descendants.”

The anti-Israel protesters have their facts wrong. Tel Aviv was founded not on the site of former homes of Palestinian Arabs who were dispossessed by the Jews but on empty sand dunes outside the city Jaffa. The village that was founded there a century ago grew large as a result of Jews fleeing anti-Jewish riots in Jaffa in 1921. The city has grown to be the nation’s largest city and is as cosmopolitan … and liberal as any in the world today.

So it is no small irony that those seeking to boycott Israel and brand it as illegitimate are willing to claim that Tel Aviv, of all places, is just another illegal Jewish settlement. As pressure grows on Israel to “freeze” building in the Jewish suburbs of Jerusalem, as well as in parts of that city itself, it is interesting to reflect on the fact that to those who wish to destroy the Jewish state, every house in every town in the country is an illegal settlement.

Many in Israel (especially in Tel Aviv), as well as many friends of Israel in the United States, like to think of the West Bank settlements as being bizarre places where crazy, violent people live and that have nothing to do with the “real” Israel inside the 1967 borders. What these anti–Tel Aviv protesters tell us is that for much of the rest of the world, this is a false distinction. And, in a sense, they are right—just as once Tel Aviv was another empty place where intrepid Jews bravely attempted to put down roots and build homes. Today it may be a booming, bustling city, but to Hamas and Fatah—as well as Glover, Shawn, and Fonda—it is just a part of hated Israel and no more legitimate than any hilltop settlement deep in the West Bank.

Those Americans who think there is nothing wrong with the Obama administration’s decision to press for more Israeli concessions and building freezes in Jerusalem and elsewhere should think about the significance of the Tel Aviv bashers. Some may argue that the settlements, even those in and around Jerusalem, must go to save Israel. But to those whom Obama wishes to appease by this pressure policy, there is no difference between them and the biggest Jewish settlement of them all in Tel Aviv.

Related: Fond Jane and Mr.Braun


Love of the Land: The Biggest Jewish Settlement

Love of the Land: Another Tack: Fond Jane and Mr. Braun


Sarah Honig
JPost
17 September 09

We're all familiar with holier-than-thou anti-Semites whose much-touted "best friends" invariably are Jews. Well, the good news is that Jane Fonda is awfully fond of us. She says so in her blog. Given all that fondness, Fonda feels persecuted for no fault of her own. She cannot fathom why she must "wake up in the morning to a barrage of e-mails" about "a petition protesting the Toronto International Film Festival's decision to feature a celebratory 'spotlight' on Tel Aviv... By doing this the festival has become, whether knowingly or not, a participant in a cynical PR campaign to improve Israel's image, make her appear less warlike."

Fonda is so fond of us that she insists our face remain as dirty, demonic and denigrated as she and her avidly mud-slinging chums (like Danny Glover, presumably our friend by association) deem appropriate for us. Truth may be detrimental to their ends, which obviously justify any and all means.

FOR THESE ends Israel needs to remain besmirched and blackened. And that was why fond Fonda, comrade Glover and more than 50 other petition signatories (among them various indispensable useful-fool Israelis) had such a bone to pick with the Toronto festival, itself hardly a Lovers-of-Zion shindig by any measure.

It featured a bunch of films about Tel Aviv, many of which conform to the popular Israeli genre of self-deprecating, pro-Arab flicks scripted for the explicit purpose of winning acceptance and accolades from Fonda and her ideological likes overseas. Sucking up to the Fondas of this world, it's widely believed in our provincial backwoods, is the only way for an ambitious Israeli academic/artiste/author/moviemaker to carve out a career and bask in the ambiance of moneyed Israel-bashing liberal patrons.

How deliciously ironic then that Fonda - albeit indirectly and inadvertently - punishes precisely those Israeli producers who obsequiously fawn to please just her sorts. Their radicalism and/or brownnosing make no difference. This effectively parallels two millennia of Jewish experience with assorted Judeophobes - including those who had cut no slack for urbane "Germans of the Mosaic persuasion."

Toronto's festival, according to the Jane-brand of spurious historiography, omitted to stress that "Tel Aviv is built on destroyed Palestinian villages, and that the city of Jaffa, Palestine's main cultural hub until 1948, was annexed to Tel Aviv after the mass exiling of the Palestinian population. This program ignores the suffering of thousands of former residents and descendants of the Tel Aviv/Jaffa area who currently live in refugee camps."

Uncool as it may be, according to George Orwell "speaking the truth in times of universal deceit is a revolutionary act." Fonda should appreciate revolutionary acts. In her younger years, when she bombastically boosted Huey Newton and the Black Panthers, she insisted that "revolution is an act of love. We are the children of revolution, born to be rebels. It runs in our blood."

So let's get on with the revolutionary act of telling the truth. Habitual knee-jerk detractors, who disdain historical references, please note that Fonda and crew were those who launched us on this foray into that past.

RECENTLY I wrote of almost forgotten Tel Aviv founder Yosef-Eliahu Chelouche, a native of Jaffa, scion of a Jewish family from North Africa (kosher presumably for Third World ennoblers) and a notable political dove till Arab bloodlust disillusioned him. In his 1931 memoirs, long before Tel Aviv became the vast Zionist empire's icon, Yosef-Eliahu described those 12 desolate windswept acres of wasteland purchased for a hefty sum in 1909 for Ahuzat Bayit (as the embryonic city was called). They were hardly occupied by Arab villages as Fonda and friends aver.

Yosef-Eliahu recalled them as "a sea of sand, a barren desert with powdery yellow mountains and hills, where jackals howled." Beyond Jaffa's decaying narrow alleyways stretched an undulating shadeless wilderness. It was a horrendous, almost impassable and seemingly interminable tract, without landmarks or signs of habitation.

From its inception Ahuzat Bayit was traversed by a boulevard - not because it was a preplanned aesthetic feature. Tel Aviv would rise on pyramidal mounds with unstable continuously shifting slipfaces. These were pronounced unsuitable for construction. To level off the area, teams of pioneers used wheelbarrows to move tons of sand from the highest points and deposit them in the gullies bellow. The deepest ditch cut across Ahuzat Bayit exactly where Sderot Rothschild now stretches. Filled with so much soft sand, it was judged unsafe to support structures. Instead it was covered with topsoil and lined with trees. If anything, Tel Aviv was reclaimed from an empty strip of desert.

Elementary intellectual integrity should oblige Fonda and her retinue of our "best friends" to recall that Jaffa was also a pivotal early 20th-century Jewish hub. If anyone was forcibly dislodged therefrom, Jaffa's Jews were; 1921's unprovoked five-day Jaffa-generated Arab riots, in which 49 Jews were massacred (among them leading Jewish literati, including left-wing Yosef Haim Brenner) and more than 150 wounded, effectively brought down the curtain on Jaffa's Jewish community and boosted adjacent Tel Aviv as a separate, independent, viable, modern and thriving alternative entity.

The carnage filled 12-year-old Tel Aviv with tents and makeshift sheds to shelter Jewish refugees fleeing the Jaffa bloodbath before even self-proclaimed anti-imperialists of the Fonda-mold could conjure up supposed Jewish provocation for Arab butchery.

As to the 1948 escapades of Jaffans on the eve of Israeli independence, I will summon my own mother's testimony. The minaret of Jaffa's Turkish-constructed Hassan Bek Mosque, for instance, was used by Arab snipers to take frequent potshots at passersby on the adjacent streets of Tel Aviv. For Jane's attention, that was before we could conceivably be accused of becoming conquistador ogres.

My mother often recalled the mortal risk entailed in crossing the street to the corner grocery. She was nearly shot on her way to the dentist. One afternoon, her landlord, Mr. Braun, buttonholed her at the entrance to his apartment house on 7 Rehov Aharonson. Standing in the doorway he lectured her sternly about the foolhardiness of her sorties outdoors. Just then a bullet whistled by. Mr. Braun fell dead at my mother's feet.

Odds are Jane doesn't know about Mr. Braun. But she should educate herself about Hassan Bek's snipers, who didn't care about the identity of their numerous random victims. It helps Jane's predatory propaganda not to mention them, to pretend that Jaffa didn't aggressively and continuously attack Tel Aviv, that peaceable Jaffans were dispossessed arbitrarily in villainous circumstances devoid of context.

In a world of cosmopolitan detachment, Jane's propaganda works. Toronto Festival codirector Cameron Bailey half-apologetically conceded "that Tel Aviv is not a simple choice and the city remains contested ground." But if even Tel Aviv is "contested ground," if even its legitimacy is questionable, what are we to say about Israel as a whole?

So much for all those insincerely avowed two-state syrupy sentiments.



Love of the Land: Another Tack: Fond Jane and Mr. Braun

Wednesday, 9 September 2009

Love of the Land: Tel Aviv Tiff at TIFF

Tel Aviv Tiff at TIFF


Editorial
thestar.com
08 September 09



Here's something you may not have heard for a while: "Tel Aviv is built on destroyed Palestinian villages."


Credit for this historical observation goes to an ad hoc committee of artists and filmmakers heaping scorn on the Toronto International Film Festival for daring to program a Tel Aviv segment, as Israel's biggest city marks its 100th anniversary.


In an open letter – "The Toronto Declaration: No Celebration of Occupation" – the signatories condemn TIFF for showcasing Tel Aviv, comparing it to the way a propagandist would sanitize "white-only Cape Town or Johannesburg during apartheid."


Thankfully, the protesters are not objecting to the new TIFF Bell Lightbox, the festival's future home, being built on destroyed First Nations villages. To be sure, that would be ancient history; but why is this anti-Israel petition fixated on Partition – the 1947 United Nations plan that awarded Tel Aviv to Israel more than six decades ago? The subtext is that Tel Aviv is akin to an illegal Jewish settlement.


It is tempting to ignore this latest, tedious tiff over TIFF, spawned by a few dozen protesters who signed the petition – Jane Fonda and Naomi Klein among them. The anti-Israel diatribes are becoming a bore: Complaints against the Royal Ontario Museum for showing Israel's biblical Dead Sea Scrolls; "Israel Apartheid Week" for high-minded student activists; CUPE locals calling for a boycott of Israeli academics; and the latest Pride parade featuring a float that attacked gay-friendly Israel for apartheid policies (ignoring other Middle Eastern regimes that persecute gays).


Now TIFF is the target for those who would treat Israel as a pariah, demonize every aspect of its existence, and smear its supporters in Canada. TIFF, they imply, is in the pocket of the Jews – from both Canada and Israel. Their open letter conspicuously highlights the names of "Sidney Greenberg of Astral Media, David Asper of Canwest Global Communications and Joel Reitman of MIJO Corporation," noting ominously that TIFF is now "complicit in the Israeli propaganda machine." Cue dark clouds of conspiracy.


Replying to his accusers, TIFF co-director Cameron Bailey says he chose Tel Aviv to inaugurate an annual "City to City focus on films" that will showcase cities through a cinematic lens. TIFF took no Israeli money. The festival will also be showing films by Palestinian, Egyptian and Lebanese filmmakers when it opens this Thursday.


What a strange plot twist: Canadian filmmakers who pay lip service to free expression trying to bring the curtains down on Israeli filmmakers whose art is tainted by their Tel Aviv origins. But if the protesters are applying a litmus test to all world cities, why not castigate city hall for twinning Toronto with Chongqing, given China's human rights abuses? Or demand that Toronto sever its "friendship" links with Volgograd because of Russia's political sins?


Tel Aviv, it seems, makes for a more tempting target.

Related: All of the Jewish State ...

Love of the Land: Tel Aviv Tiff at TIFF

Saturday, 5 September 2009

Love of the Land: Charles Lewis: Boycotting the Israel boycotters

Charles Lewis: Boycotting the Israel boycotters


Charles Lewis
National Post
04 September 09

I picked up the National Post this morning to see the highly glossed faces of a group of actors, musicians and writers who have decided to protest the showing of a 10-film program to be highlighted at the Toronto International Film Festival.

It is no surprise that they are targeting a series of 10 films about Tel Aviv. Every protest today by intellectuals or artists who think they are intellectuals has to be about Israel. It is the worst country in the world, is it not?

The 50 protesters, including David Byrne, Jane Fonda and Naomi Klein, believe the films are actually part of a sinister Israeli propaganda plot, unbeknownst to those running the film festival.

They say, as they always do, that they are not anti-Semitic or anti-Israeli, but they feel they must say something in the “wake of this year’s brutal assault on Gaza,” and therefore the films should not be shown.

Some of the signatories, including Ms. Klein, are Jewish, so they cannot really be anti-Semitic. There are always the enlightened Jews who know when their coreligionists have gone too far. In fact, that is what Charles Lindbergh said in 1939 when he identified Jews as one of the main forces dragging the U.S. into the war against Germany

Read All at :

Love of the Land: Charles Lewis: Boycotting the Israel boycotters
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